A Quote by Trevor Paglen
For me, there's something very romantic about going and looking at the stars and trying to photograph spy satellites.
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One of the magical things about photography is the transformation that takes place when you photograph something. Something that inherently has very little going for it in terms of the interest you take in it, can become infinitely more interesting when rendered as a photograph. It's no longer a building. It's a photograph.
Trying to analyze a situation without enough data was like looking at a photograph of a ball in flight and trying to gauge its direction. Is it going up, down, sideways? Is it about to collide with a baseball bat? Is it moving at all, or is something on the blind side holding it in place? A single frame didn't mean a thing. Patterns were based on data. With enough datapoints, you could predict just about anything.
The future, for me, is romantic, I don’t understand people who say the past is romantic. Romantic, for me, is something you don’t know yet, something you can dream about, something unknown and mystical. That I find fascinating.
I do feel like guys feel pressure to be funny with me, which is kind of annoying. It's a turn-off if someone's trying hard to be funny because it feels like they're auditioning for a comedy job or something. It doesn't feel romantic to me. I get so much comedy from my life that, from a guy, I'm more looking for something sweet or romantic.
You're faced with creation, you're faced with something very mysterious and very mystical, whether it's looking at the ocean or being alone in a forest, or sometimes looking at the stars. There's really something very powerful about nature that's endlessly mysterious and a reminder of our humanity, our mortality, of more existential things that we usually manage to not get involved with very often because of daily activity.
Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.
Obviously my former place in Washington, you got stars like Alex Ovechkin. Those are great challenges because you're looking at a player who does something very unique and trying to grow him in areas.
All of us know today the value of communications satellites, weather satellites, resources satellites, etc.
For me, in trying to talk about something like policing, it's such a huge issue, and it's an issue that's very local and very personalized to communities, to cities, to legislators, and so, in that way, I think as we started looking into talking about policing, the thing that you realize is that you can't paint everything with the same brush.
I certainly was not the romantic lead. I couldn't be that, because I was not that good looking. And that is something about Hollywood that I do not like at all. Why can't a woman who is just normally good looking fall in love? I mean, everybody in the movies is so good looking.
It's something we're trying to change and NASCAR is as a whole trying to bring in a younger fan base, a different-looking fan base, we're trying to change the whole demographic of the sport. Me going out to do that is something I'll take responsibility for.
There is something very unstabilizing about not knowing where you're coming from or where you're going. There's something very romantic about it, because you have this search for the unknown. But at the same time, sometimes I'm like, "God, if I were to die tomorrow, where would I like to be buried?" I wouldn't know. That's kind of a heavy thought, but it's a fact. You don't know anymore where you belong.
'Atomic Blonde' is about the characters' bigger existential crisis and their world. It's not so much the conceit of the spy game; it's more that being a spy sucks. But we're going to make it fun to watch.
It's glorious to be able to go onto the Internet and hear any kind of music anywhere, from anywhere, and get it instantly. But there's also something glorious about having a record with a sleeve and looking at the artwork, putting it on the turntable and playing it, there's still something romantic to me about that.
I am probably not alone in sensing above me the huge corporations and monstrous banks, science, politics and technologies, spy satellites and stock markets, military systems and massive wealth - forces and dynamics I don't understand or can hardly imagine.
The spy genre is something I loved.It also extends to the bad guy because I think, to me, what I love the most about the spy genre is when you have a great bad guy. What makes a great bad guy, to me, is the logic. What he's about has to make sense to me, that if I was in his shoes, yeah, right, that makes sense.
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