A Quote by Trevor Paglen
In religion, symbols have always played a iconographic and ritualistic role. Different symbols might represent different theological ideas.
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Symbols have power and meaning and can mean different things to different people at different times and in different contexts.
Religious symbols should be visible in public space, in a dignified and non-provocative manner. Christmas trees here, Jewish menorahs there and, further along, a minaret - these symbols represent human life in all its diversity.
I've always felt strongly that the Confederate flag and other symbols like that are not representative of Nascar, even though I respect anyone's right, because it does mean different things to different people.
That’s what the human brain is there for—to turn the chaos of given experience into a set of manageable symbols. Sometimes the symbols correspond fairly closely to some of the aspects of the external reality behind our experience; then you have science and common sense. Sometimes, on the contrary, the symbols have almost no connection with external reality; then you have paranoia and delirium. More often there’s a mixture, part realistic and part fantastic; that’s religion.
One main reason why the separate nature of the science of operations has been little felt, and in general little dwelt on, is the shifting meaning of many of the symbols used in mathematical notation. First, the symbols of operation are frequently also the symbols of the results of operations.
When religion becomes artificial, art has a duty to rescue it. Art can show that the symbols which religions would have us believe literally true are actually figurative. Art can idealize those symbols, and so reveal the profound truths they contain.
The twentieth-century artist who uses symbols is alienated because the system of symbols is a private one. After you have dealt with the symbols you are still private, you are still lonely, because you are not sure anyone will understand it except yourself. The ransom of privacy is that you are alone.
Theatre is not supposed to represent psychology but passions, which is totally different. Its role is to represent the soul's different emotional states, and those of the mind, the world history.
I flee from symbols. I think those who don't want to solve problems go to the symbols. I'm looking for content.
The key to meditation is focusing on specific symbols. The symbols are the chakras.
The image is a great reminder how we create our world through interpretations made up of language and symbols. Our language and symbols are always incomplete versions of a greater reality. Here is why inquiry is such a powerful tool when compared to simple advocacy. Inquiry allows us to discover what might be outside the cave instead of arguing about the shadows on the wall.
Homo sapiens is the species that invents symbols in which to invest passion and authority, then forgets that symbols are inventions.
An overwhelming majority of symbols in dreams are sexual symbols.
Mathematicians may flatter themselves that they possess new ideas which mere human language is as yet unable to express. Let them make the effort to express these ideas in appropriate words without the aid of symbols, and if they succeed they will not only lay us laymen under a lasting obligation, but, we venture to say, they will find themselves very much enlightened during the process, and will even be doubtful whether the ideas as expressed in symbols had ever quite found their way out of the equations into their minds.
Meditation is a refocusing on symbols. It's not emptiness. We are using symbols, doorways to step from one world to another, from darkness into light, from death to immortality.
In fact a man in love or one consumed with hatred creates symbols for himself, as a superstitious man does, from a passion of conferring uniqueness on things or persons. A man who knows nothing of symbols is one of Dante's sluggards. This is why art mirrors itself in primitive rites or strong passions, seeking for symbols, revolving round the primitive taste for savagery, for what is irrational (blood and sex).
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