A Quote by Trevor Phillips

Bleak House by Charles Dickens is my favourite book. — © Trevor Phillips
Bleak House by Charles Dickens is my favourite book.
I am greatly impressed with the BBC's TV adaption of Charles Dickens' 'Bleak House.' The costumes, the sets, the acting and the screenplay are all superb. Every episode is riveting.
The largest two books I've ever read more than once are 'Bleak House' by Charles Dickens and 'The Stand' by Stephen King, about 1,200 pages each.
Although we might think of Holmes as the Ur-sleuth, the seminal inspiration for many writers comes not from the chronicles of Baker Street but from the intricately plotted novels of Charles Dickens and his colleague Wilkie Collins, who in works like 'Bleak House' and 'The Moonstone' established the modern, character-driven mystery novel.
I hadn't read Dickens for a while and doing 'Bleak House' was great.
I'm reading Barnaby Rudge, one of the less well-known Dickens novels. I've been a life-long lover of Charles Dickens ever since I think A Tale of Two Cities was the first Dickens novel I read.
I was brought up on Dickens. I remember reading 'Bleak House' but, coming back to it, I didn't remember much about it apart from a few characters.
To me, a book is a book. A novel is a novel, and you have hundreds of possibilities, options, and they may all be fine. Charles Dickens or Ingeborg Bachmann, Claude Simon or later writers. The one and only condition is that it has to be good: it has to have quality, substance, atmosphere.
No-one is going to sit down and read Bleak House to the family any more, but they can all huddle up happily in front of Charles Bronson.
Great Expectations [book by Charles Dickens] has been described as "Dickens's harshest indictment of society." Which it is. After all, it's about money. About not having enough money; about the fever of the getting of money; about having too much money; about the taint of money.
'Joker' was a violent, dark, and brutal book, so I wanted to do something a little less heavy. I played around with the idea of a children's book, and that eventually became 'Noel.' And I just kept finding these parallels between things I could do with Batman and Charles Dickens' 'A Christmas Carol.'
Dickens's final book, 'The Mystery of Edwin Drood,' forms the jumping-off point for my new novel, 'The Last Dickens'. This last work by Dickens has very little social commentary and a pretty tightly efficient storyline and cast of characters. Not necessarily what we think of when we think what characterizes Dickens.
Throughout my teenage years, I read 'A Christmas Carol' by Charles Dickens every December. It was a story that never failed to excite me, for as well as being a Dickens enthusiast, I have always loved ghost stories.
I think Austin is read more now than Charles Dickens, and Dickens was much more popular in his day. She endures because of her classicism.
I wrote the Dickens book because I loved Dickens, not because I felt a kinship with him, but after writing the book it seemed to me that there was at least one similarity between us and that was that Dickens loved to write and wrote with the ease and conviction of breathing. Me, too.
With its vastly complicated plot and its immense cast of characters swirling around the case of Jarndyce vs. Jarndyce that has been grinding away in the Court of Chancery for decades, 'Bleak House' is, for many readers, Dickens's greatest novel.
Early on, I was so impressed with Charles Dickens. I grew up in the South, in a little village in Arkansas, and the whites in my town were really mean, and rude. Dickens, I could tell, wouldn't be a man who would curse me out and talk to me rudely.
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