A Quote by Trevor Rabin

All of the directors I've worked with I've gotten along with very well. — © Trevor Rabin
All of the directors I've worked with I've gotten along with very well.
I'd worked with directors who wouldn't collaborate. Then I've also worked with directors who didn't really know what they wanted. I knew I didn't want to be either one of those guys - or girls.
I am not comfortable kissing or exposing, and I believe in laying open my cards well in advance so that no one is inconvenienced. Till date, I have been very specific about certain things, and my directors have always understood my concerns and played along. I don't think this should pose a problem in the future as well.
Now, whether or not in a place like Chicago you do stop and frisk, which worked very well, Mayor [Rudy] Giuliani is here, worked very well in New York.
Stephen Daldry would be a director that I would love to work with as well as Peter Jackson, Tim Burton, and I'm very lucky to have worked with Isabel Coixet, who is also one of my favourite directors.
I worked with Roman Reigns, Seth Rollins, Bray Wyatt. Those guys have come along and are doing very well now.
I will say that is a quality I love about great directors, which is the ability to give you one word that can inspire you. I appreciate a director with a very good vocabulary. There are so many directors that I have worked with that can give you one word.
I've always gotten along well with Texans. You've got to.
I've always gotten along pretty well with people.
I have worked with good directors, and I consider myself very lucky because I think that it is very important.
JLo and I did not get along well when we worked together. I don't think there's love lost. I don't know if there was a lot of love from the very beginning.
I have worked with some very great directors.
That really sets great directors apart from good directors: their ability to make you feel like you matter, even if your part is much smaller. That's one thing I found with most of the great directors I worked with: They all have that skill. Not everyone takes the time.
I worked for 20 directors as a production designer, most male. I was on the set to witness firsthand a range of sometimes atrocious emotions - well-documented firings, yellings, fights between directors and actors, hookers, abusive things, budget overages, lack of preparation. A man gets a standing ovation for crying because he's so sensitive, but a woman is shamed.
I felt I knew Lugosi. Like him, I had worked for good directors and terrible directors.
I was just an ordinary student. I'd always gotten along with authorities quite well.
I've worked with a couple of female directors now, and I think that they're amazing. As good or better than guy directors.
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