A Quote by Trevor Rabin
I hate how things must be classified. How this is applied to musicians implies that they somehow contrive their products and have studied the demographics of the audience.
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I don't know the names of any pop musicians. Pop music is standardised; it's made to please the largest audience possible. I also compose to please a large audience, but when you listen to my music, you understand that I have studied and applied the whole history of composition.
I think one of the things that is important, for me, though a lot of people would disagree with me, is that you be founded in theater so that you understand what an audience is, what kind of an animal it is and how to play with it. How to have fun with it, how to sympathize with it, all the things that an audience is. I don't think you're going to find that out unless you do theater.
I think every human being knows how to hate. Because if they didn't know how to hate how to hate they wouldn't know how to love.
One of the things I love within music and within sports is how often musicians and athletes thank their audience. In the art world, you would never hear that.
Royalties are not how most writers or musicians make their living. Musicians by and large make a living with a relationship with an audience that is economically harnessed through performance and ticket sales.
Can I just say here how much I hate the word 'pamper'? While pretending to celebrate and indulge women, it actually implies that their bodies are so revolting that even their 'me time' must be dedicated to turning them into living dolls if potential suitors are to be prevented from running screaming in horror.
[Malipiero's advice to Casanova.] If you wish your audience to cry, you must shed tears yourself, but if you wish to make them laugh you must contrive to look as serious as a judge.
It doesn't matter if it's jazz or not. It's about how we listen, how we interact, how we guide our attention when we're listening, and how we can refine what we're doing musically. Also how we can create our own music, and what opportunities that can bring us, as creative musicians. And then insisting that musicians put themselves through an intellectually rigorous process, which involves a lot of reading and writing, while insisting that music scholars think about ethics.
Circumstances do not push or pull. They are daily lessons to be studied and gleaned for new knowledge and wisdom. Knowledge and wisdom that is applied will bring about a brighter tomorrow. A person who is depressed is spending too much time thinking about the way things are now and not enough time thinking about how he wants things to be.
I hate how hard spiritual transformation is and how long it takes. I hate thinking about how many people have gone to church for decades and remain joyless or judgmental or bitter or superior.
It still amazes me how many musicians aren't really interested in engaging with their audience at all. Alfred Brendel, a pianist for whom I have the greatest respect, has described performance as a sacred communion between the artist and the composer. But what about the audience? Music is communication, a two-way street.
I hate to sound like someone twice my age talking about these comics today and all that, but it's as though their intent or goal on stage seems to be to see how uncomfortable they can make the audience, or how viciously they can savage their subjects.
I've forgotten a lot of things. I've forgotten how to play the piano and how to speak Arabic, though I studied it for two years.
I don't understand my feelings. I really don't. I don't understand how I could hate you so much after so much time. How, no matter how much I'd like to not hate you, I hate you even more. It grows.
My work is all about how we consume. To me it's important to know where things come from. Generally, our products today are so cheap, you know there's something wrong. Things are not made in a good way. I want to make things that are. I want to make the story behind products visible.
Buy products of genuine lasting value from brands that take their manufacturing seriously. I have things that are 75 years old, like the dinner suit of my grandfather's that was made in 1933 by a tailor in Edinburgh. Clothes develop stories. You can remember where you've been through clothing that you've worn. I want products that are going to endure. I hate that we buy things that are disposable. We need to buy products with integrity.
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