A Quote by Trevor Rabin
Yes was a band where we could explore some of those ideas, but I knew that if I wanted to get into orchestral music and make a living at it, movies seemed to be a perfect spot.
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I had always wanted to make music on a big scale but never knew how it was going happen - until I saw a band in Oslo called Bridges. I was stunned. They had everything. The only thing they didn't have was me. I knew I needed to join, not for my own sake but for the band's. I knew I was a necessary ingredient.
... We borrowed it all from Coltrane. I started encouraging everybody in the band to listen to John Coltrane - 'Check it out, see what these guys do.' They take one chord, the tonic chord, and just play all over it. 'We can do that too!' I wanted to make our music something really amazing - I wanted it to be jaw-dropping and turn on a dime and do all of those things that I knew music could do, and nobody told us we couldn't do it. I shouldn't say 'I,' though - Jerry Garcia was behind it the whole way.
I grew up with Al Jarreau. We had a band together and worked these places for three years when neither one of us knew we could make a living doing music.
I really wanted to, but I just didn't understand how people became comedians. I kind of thought it was something you were born into. And so I wanted to be a veterinarian or an architect. I wanted to be in a band, and for some reason I could understand how you could be in a band because I had guitars and all my friends played music. Comedy was a secret want, but it wasn't anything I pursued.
Instead of just being a band that's constantly replacing members, we figured we'd done all of the stuff we wanted to do. It seemed to make sense to see if we could live our lives without the band.
Jon Anderson and I, we really liked a lot of classical music, and we wanted to get some orchestral arrangements going on 'Time And A Word.'
I enjoy making music alone, and I like keeping my options open for how I release my own songs. But everybody in Grizzly Bear is full of ideas. So it's kind of boring to come to the band with a complete song and be like: "Here's what I want you to do." With this record, we wanted to make everything feel like everyone - music that we could never do on our own. That's a real gift, and it's one of the best things about being in a band like this.
I said it before and I’ll say it again: books are dead, plays are dead, poems are dead: there’s only movies. Music is still okay, because music is sound track. Ten, fifteen years ago, every arts student wanted to be a novelist or a playwright. I’d be amazed if you could find a single one now with such a dead-end ambition. They all want to make movies. Not write movies. You don’t write movies. You make movies.
Sometimes Holly seemed like she wasn't paying attention, and other times she was gone when I went looking for her. That was when she went to a part of heaven we didn't share. I missed her then, but it was and odd sort of missing because by then I knew the meaning of forever. I could not have what I wanted most: Mr. Harvey dead and me living. Heaven wasn't perfect. But I came to believe that if I watched closely, and desired, I might change the lives of those I loved on Earth.
I think the Internet has hurt music more than it has helped it. The idea of giving music away for free just bothers me. And, when one band or artist gives it away, it devalues the rest of the product from those who would like to make some money or a living from it.
My dream that I followed and that I'm living now is that I actually always wanted to go to music college, play in a band, do a world tour, and then eventually get into film music.
She had been in situations like this, where people said, Convince me, and in none of those had they actually wanted to be convinced. She could lay down a perfect argument and they just invented new bullshit on the spot to justify why the answer was still no. When people said, Convince me, she knew it didn’t mean they had an open mind. It meant they had power and wanted to enjoy it a minute.
Conceit, arrogance and egotism are the essentials of patriotism... Patriotism assumes that our globe is divided into little spots, each one surrounded by an iron gate. Those who have had the fortune of being born on some particular spot consider themselves nobler, better, grander, more intelligent than those living beings inhabiting any other spot. It is, therefore, the duty of everyone living on that chosen spot to fight, kill and die in the attempt to impose his superiority upon all the others.
I wanted to explore cancer not just biologically, but metaphorically. The idea that tuberculosis in the 19th century possessed the same kind of frightening and decaying quality was very interesting to me, and it seemed that one could explore the idea that every age defined its own illness.
I just knew I loved music, and I wanted to do something in music, but I couldn't sing, I can't dance, I am an introvert. So I was like, 'What exactly is there for me to do? What can I do?' There's all these questions, there's all these things that are telling you 'no' instead of 'yes.' Those are the things I dealt a lot with, my insecurity.
It ain't this big I, little You. Music is to be shared. Music is not a hustle. [Hip hop's become] cultural stripmining [by the major labels]. Some people get into this music to make a killing but music is a way to make a living.
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