A Quote by Trey Anastasio
I feel a great responsibility to deliver for our audience ... I am like their servant, but there's only one honest way to lift people up, which is to feel genuinely elevated yourself. And the way to do that is follow your heart. That's all we try to do.
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Some people come to me and say, "Mr. Moody, don't you feel a great responsibility when you come before an audience like this - don't you feel a great weight upon your shoulders?" "Well." I say, "no; I cannot convert men; I can only proclaim the Gospel.
The only responsibility I feel is to deliver something that's new or at least to attempt that. The real responsibility is to entertain and to try and make people laugh.
One of the most common words in the invalidating, self-blaming stories we believe about ourselves or our situations is the word "should." The psychologist Albert Ellis has coined the phrase "Stop shoulding on yourself." When you tell yourself that you should feel or be another way, you are likely to feel bad about yourself. As an alternative, try telling yourself that it is okay to feel or be the way you are, even though you have some idea that you should feel or be different.
Some people make you feel better about living. Some people you meet and you feel this little lift in your heart, this 'Ah', because there's something in them that's brighter or lighter, something beautiful or better than you, and here's the magic: instead of feeling worse, instead of feeling 'why am I so ordinary?', you feel just the opposite, you feel glad. In a weird way you feel better, because before this you hadn't realised or you'd forgotten human beings could shine so.
You do try to write songs that you feel like people can relate to and you try to be as honest as you can so that people hear your records and they feel like, "Oh, my god. This is exactly how I feel. I went through this."
In concert, I often try to feel the audience and feel their way of hearing. If I feel that there is no contact between the audience and the music, I try to look stronger within myself, hoping that this will lead to a better contact.
For me, the political part of being an actor is very tough. To sit somewhere and tell somebody why you should feel this way or that way about my character does not feel like my responsibility. It feels like the responsibility of the writer and the person who created it.
It's the way I feel about acting. That we are given clues by a writer about someone's essence or persona and it's our job to try to figure out which of those clues are true, which of clues we decide to follow and which of those clues we think are red herrings, or only in the way another character thinks of that character.
It is not possible to make great buildings, or great towns, beautiful places, places where you feel yourself, places where you feel alive, except by following this way. And, as you will see, this way will lead anyone who looks for it to buildings which are themselves as ancient in their form, as the trees and hills, and as our faces are.
You must do the asana with your soul. How can you do an asana with your soul? We can only do it with the organ of the body that is closest to the soul - the heart. So a virtuous asana is done from the heart and not from the head. Then you are not just doing it, but you are in it. Many people try to think their way into an asana, but you must instead feel your way into it through love and devotion
Our fans are emotional and these same people lift us when we win. But if they feel sad on a defeat we also feel the same way. We feel it much more because we are playing for Pakistan.
Reality is very, very contradictory, and so I try to write just perfecting what I see, what I read, what I feel, in a feel-thinking way. Not only giving ideas, or receiving ideas, or trying to explain something, but mainly feel-thinking, a feel-thinking language able to tie the heart and the mind, which have been divorced.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
You have a responsibility for the way you make the audience feel, and I want them to feel uncomfortable.
I do feel like it's my responsibility to deliver information in a way that's going to be sensitive to my client's feelings, but I'm not so much responsible for what I see.
I never had any desire to be famous. I find people who do really sad. I genuinely feel sorry for them because there is nothing of substancein their lives. I am happy when I am writing or performing. Not when I sit there being "famous". I like recognition for my work, but not recognition for being "that bloke off the telly". It is genuinely humbling when a woman comes up to me, as someone did recently, to say she wanted to commit suicide after her husband died, and my show cheered her up and made her feel better. That's great.
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