A Quote by Trey Anastasio

I understand that transposing a song a half step can effect the believability of a lyric. — © Trey Anastasio
I understand that transposing a song a half step can effect the believability of a lyric.
I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.
When I say a spoken Hebrew sentence, half of it is like the King James Bible and half of it is a hip-hop lyric. It has a roller-coaster effect.
I'm a real stickler for a great lyric, or what I think is a great lyric. It's almost impossible for me to sing a song I don't love. My thing is: If it's a great lyric, you can do anything with the song.
For me, a song doesn't really take flight until it has a lyric on it. ...Without a lyric that I'm happy with, it could be the greatest song ever melodically or arrangement-wise, but it doesn't have any resonance.
It's very rare - and it does happen on occasion - where I'll take a piece of lyric and I'll just sit down and purposefully craft that melody around that lyric because I think the lyric is the wellspring for the song, without question.
I try to tell the story about the song with the believability that I've lived it myself and I understand what it's all about.
No one can threaten poetry. It's always been there, always will be. Humans need it to live: it has sustaining powers. How could we (anyone) get through adolescence without some form of song? Song is only a version of lyric poetry that is carried more by melody than by internal coherence and unity. but lyric and song - they are the same.
The reading of the song is vital. The written word is first always . . . first. Not belittling the music, but it really is a backdrop. To convey the meaning of a song you need to look at the lyric and understand it.
Some of the songs on the radio are really outrageous. I listen to the lyric. If the lyric doesn't make sense, I don't like the song.
My job is to be some sort of music/lyric psychic, to figure out that that's the right song to not fight the lyric.
The most amazing thing is being onstage and watching the audience sing every song lyric for lyric.
I'm not so in with the prescriptive avant-garde agenda. I can do that sort of thing, but I feel that I'm still interested enough in song structure. When I look at a lyric on the page, the lyric is alive to me, looking like soldiers in a field. I can move it around, and it's very black-and-white.
O lyric Love, half angel and half bird. And all a wonder and a wild desire.
Sometimes it starts with a random lyric idea that sets the tone for the whole song. Chords and sounds build from the lyric and rhythm, kind of. Sometimes it's a track I fall I love with... but writing my own songs, I rarely write on tracks.
I was half asleep lying there writing this lyric in my head at about 3:30 in the morning. I woke Steve up with this idea and then we went into the living room where there was a little upright piano and finished the song. I wonder where that piano is now?
Anything is food for starting a song. A song can start with a lyric idea or a melody or just a sound that inspires.
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