A Quote by Trey Anastasio

I can't wait to play the Hammerstein shows. Things have been exploding in the last week, and that's going to be the exclamation point. — © Trey Anastasio
I can't wait to play the Hammerstein shows. Things have been exploding in the last week, and that's going to be the exclamation point.
I played on the Jets during Namath's last four years, and we used to ask ourselves, 'When is it going to happen? When are they finally going to replace him?' We'd wait for it, week by week, but it never happened.
Cut out all these exclamation points. An exclamation point is like laughing at your own joke.
As an actress, there's a lot of waiting. You wait for a script to come in that you want to do. You get to a point where you decide that if you want good things to be made, you're going to have to start making them yourself as an actress. You can't just wait around for it. But you can also just enjoy the breaks, and use them to kind of refuel. I've been working so long at this point that I don't mind the breaks. I think they make me better, actually.
There are very few horror shows, where you have a long running arc. Most horror shows play as a sort of an anthology. Buffy - a terrific show - had the-demon-of-the-week. Twilight Zone - X Files - these things had an anthology approach. Our show is a long running drama with the same creatures every week.
At some point, we're going to have to get to the point where, before you play football, I'm going to test you at some stage in your life to determine if you're susceptible to concussions. We need a test that shows us that your brain is situated a certain way that puts you at risk. If you are susceptible, don't play football.
I can't wait to get out. It's been much too long, I don't like being home. I'd rather play. This tour is going to be really big. We're gonna have the biggest show we can have. It's gonna be different not like the old KISS shows.
I try to live my life that way - there's not a whole lot of point getting worked up about things you can't control, and especially a week like this. You play 150 ends of curling, there's going to be a lot of bad that happens in there.
I was essentially trained by Oscar Hammerstein to think of songs as one-act plays, to move a song from point A to point B dramatically.
At synods, I usually wait about a week before I speak. First I listen. I feel the temperature. I listen to what has been said, what has not been said, and what I think needs to be said at that point.
I think, with these shows, with 'Last Week Tonight,' with 'Full Frontal,' I think, as these shows have evolved, we all have research departments now.
I went to work. That was a turning point. When you have to do eight shows a week and your name is on the marquee, no matter what is going on at home or what's on the cover of the newspapers, you've got to do your job.
I had to wait a while to get the scans back but it shows nothing in terms of needing surgery which is good. I hurt my AC joint and I just need to strengthen it. There is an outside chance to start training by the end of this week and if not than the start of next week.
Basketball's so much like life: if something's going great, you wait a minute, it will change. If something's going bad, you wait a minute, it will change. So I try to play things on such an even keel, knowing that things are going to change. You take the good with the bad; you don't get too excited, you don't get too down and sometimes that's the hardest thing in the world to do when you're in the midst of it, but that's the best way to handle it.
I try not to look back. I'm looking forward. I'm worried more about what I'm going to do next week than I am what I did last week. There are too many things to do. Looking back is for everybody else.
If it's possible, I binge. There are other shows, like 'The Americans' and 'Game of Thrones,' I watch and have to wait a week.
In the Rodgers and Hammerstein generation, popular hits came out of shows and movies.
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