A Quote by Trey Gowdy

For 16 years I spoke in trial metaphors, and perhaps I need to get out of that habit. — © Trey Gowdy
For 16 years I spoke in trial metaphors, and perhaps I need to get out of that habit.
We opposed unlimited detention without trial. We stood up for trial by jury as well. And of course we spoke up for asylum seekers and for the most vulnerable in our society.
There are two ways of getting out of a trial. One is simply to try to get rid of the trial, and be thankful when it is over. The other is to recognize the trial as a challenge from God to claim a larger blessing than we have ever had, and to hail it with delight as an opportunity of obtaining a larger measure of divine grace.
I've been so transient, I've been on my own since I was 16. I didn't even have my own place until I was 32 years old. I literally lived out of bags for 16-plus years.
What happened was like any guy on the indie scene - I've been wrestling for 16 years; everybody thinks I'm this new, young. I'm like, 'I'm 32. I've been at it for 16 years. I just couldn't get to the next level.'
Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors.
Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors. All are continually asking, "What does this represent? What does it stand for?" They are trying to take everything one level deeper. When they get to that level, they will try to go deeper again.
Now I am practicing as well as a criminal defense lawyer in handling appeals. The court of appeals appointed me to handle cases and although that's not trial work and I don't have to go to court, it kind of satisfies the need I have to practice still and I have transitioned into readiness not to be in trial anymore. It took a little while for me to get used to not doing it and I did miss it for a few years, but eventually I transferred into another life.
It seems to me that metaphors come down to a certain idea of interconnectedness - that everything relates to everything else. Metaphors don't believe in autonomy. And in the end, perhaps that idea of interconnectedness is a moral position.
The things that are said in literature are always the same. What is important is the way they are said. Looking for metaphors, for example: When I was a young man I was always hunting for new metaphors. Then I found out that really good metaphors are always the same.
I have friends in prison. I send them money. I send them food. They say, 'Bro, get me out of here.' There's nothing I can do. They're five years in on a 20-year sentence. They went in at 16, they'll get out at 36. That's a lifetime.
I guess I have a weird habit of writing body part metaphors.
We can use decision-making to choose the habits we want to form, use willpower to get the habit started, then - and this is the best part - we can allow the extraordinary power of habit to take over. At that point, we're free from the need to decide and the need to use willpower.
We can use decision-making to choose the habits we want to form, use willpower to get the habit started, then - and this is the best part - we can allow the extraordinary power of habit to take over. At that point, were free from the need to decide and the need to use willpower.
Metaphors hide in plain sight, and their influence is largely unconscious. We should mind our metaphors, though, because metaphors make up our minds.
My father was an Episcopal minister, and for 14 years my family lived in China, in a city called Wuchang. We four children spoke Chinese before we spoke English. We left when the communists came, in the early 1930s. I was about 5 years old.
Not the challenges necessarily, but the way in which you get ready because your technique has improved over the years and you perhaps know how to be more economical than perhaps you used to be when you tried to work perhaps too hard.
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