A Quote by Trey Parker
If we have a great idea, we'll go, 'Oh, this could be a cool movie.' Or really for us, it's more like, 'Oh, this is a really bad idea. Let's do this. This seems really stupid.'
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Every movie goes through that U-shape where you start with 'Oh that's a great idea. I love it.' Everything's possible and then you face 'Oh, we can't do that, and that's impossible, and that's a bad choice.' You go the practicality of it. And then you come up to 'Great.' But that middle part is when you don't have results yet.
I think the books are the books. They were conceived as books. They weren't conceived as movies. When I write scripts, that's an idea and a situation that I think is a really good idea for a movie. When I'm writing a book, I'm not thinking, "Oh, this would be a great movie." This would be a very interesting book. And I think the books are things that cannot really be adapted into another medium.
In real life, I have mostly gone for nice guys. I definitely had a phase where I was like, "Oh, the bad guy is really cool." It's fun to be bad for a while, and then that ended really terribly - one piece of advice I'll give to people is your mom is always right.
I've definitely seen things that have made me laugh. And there's some things that are really smart and like, "Oh man, we should have done that, that's really cool!" And there's some things that are like, "Oh, do they know something? I don't know!" So there's the whole variety of things that are in those theories. But they're cool.
You have no idea, especially in green screen, what movie you're doing. You really don't. And then, you see the movie and you're like, "Oh, my god, I'm on a cliff right now! I'm having sex right now! I thought I was dancing."
There's nothing more disheartening than seeing a movie and going oh, that doesn't work, or it didn't inspire us. Versus seeing a movie that is 'this is so awesome!'. Oftentimes, a really good movie just inspired you to go and make movies!
'Paycheck,' I thought, was a really, really good idea. I never got an opportunity, unfortunately, to read the novel, but I loved the idea of how to deal with intellectual properties. I just don't know that we necessarily got to the heart of that particular idea. I think it became more of a chase movie than anything else.
I like the idea of using cool cyberpunk stuff to tell really stupid jokes.
Oh I had crushes on all my leading men, I think. Oh, you know who I really had fun with? In this movie 'Mother, Jugs & Speed,' I really liked working with Harvey Keitel.
I feel really - actually - quite terrified about the world as it now exists. The kind of sucking the world dry for a dollar seems to me to be even worse (though it was hard for me to imagine 30 years ago that it could get worse) and the idea that bling and profit over human beings is really more and more a credible idea; people don't even examine it with any kind of question: I find that really terrifying.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
The idea that every time you do a film you're supposed to be tortured confuses me. I mean, guys who say, 'Oh, it's really tough, my character is really suffering' -come on. For us, even in the rotten ones we've had a good time. I don't think you have to suffer.
The idea that every time you do a film you're supposed to be tortured confuses me. I mean, guys who say "Oh, it's really tough, my character is really suffering" - come on. For us, even in the rotten ones, we've had a good time. I don't think you have to suffer.
The idea is: You played to 100 people this week in Europe, and then next week you can play to 200. It's an investment in that territory. But it can lose money because it's very expensive to go to Europe. You can't really just say, like, "Oh, we're gonna take our van and drive to California tomorrow." It's more like, "Oh, we have to fly to London and rent three guitar amps, a bass amp, drums; buy all these flights for four people; hire a driver."
I'll be really tough on myself. Someone will be like, 'Oh that's really cool' and I'll be like, 'Yeah, but there's this one flaw.'
I really like working. I can't think of a job I didn't like. I was in an Alvin and the Chipmunks movie, which is not my idea of folk art; but I really enjoyed making it, and everyone was really nice.
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