A Quote by Trey Parker
I've gotten to a point where I wouldn't direct someone else's material. It would only be something totally original.
Related Quotes
I honestly never wanted to direct. It was only when I started to work on 'Alexander the Great' that I realized I had to direct. I saw something so specifically in my mind, I could not leave it to someone else.
I'll be totally honest in that I feel tremendously lucky that I am offered incredible jobs all the time to direct, but the problem that I have just personally is that there are only so many years in my life to dedicate to certain projects. When you're directing something that's generally two years of your life, you have to understand that. If I'm going to pour that kind of love and energy and sweat and heartache, all that juju into something, I'm going to lean into my own projects before someone else's.
Directing is so dope to me, man, 'cause it doesn't necessarily have to be your material. You're making someone else's material come to life. There's something amazing about that.
You have to separate artistic ability from ethnic origin. Not only am I not black, I am also not a woman, therefore how can I direct women? I am also only 42, therefore how can I direct someone who's 60? So you see where the argument ends up? If you take it to its logical conclusion, I would have to walk around and point a video camera at myself. And who the hell is interested in that?
I usually work in a room which is totally cluttered with my mess, and there's stuff everywhere, and it's kind of chaotic because I am a very messy person. I could totally write in a pristine environment, but it would mean I would have to be at someone else's house.
Fat realized that one of two possibilities existed and only two; either Dr. Stone was totally insane – not just insane but totally so – or else in an artful, professional fashion he had gotten Fat to talk; he had drawn Fat out and now knew that Fat was totally insane.
If you make something good and interesting and not ridiculing someone or being offensive, the creators of the original material will like it.
I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.
You have to be as original as possible. It's a tough thing to come up with something totally original.
I like writing for other people. I love it. It's great because you write it and then you hand it off to someone else. But in terms of directing, anything I direct will be something I've written or re-written. I'm in no crazy rush to direct.
When you can come across a piece of material that's totally original and fun and completely satisfying, you jump on it.
Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.
And I am pretty sure that's the point of reading fiction -- so someone else can say in a way you never would have something you recognize immediately.
I want to do something original rather than interpret someone else's performance, which is always the risk - even if it's only in a subconscious way. I want to concentrate on giving my own fresh interpretation.
Walter Benjamin talks about art losing its original "aura" in an age of mechanical reproduction. In writing memoir, we're taking something that happened in a particular moment and meant something at that time, and we're trying to capture it to mass reproduce it for readers. So of course something is lost. And when we edit that material, we're getting even further from that aura, but toward something else that is potentially vital.
In any adaptation, the challenge is to take the essence of the original source of the material, be faithful to it to a point, but to also recognize that you're telling a story in a very different medium. It has to exist on its own, and it has to offer something unique to that experience.
Related Authors
Ai Weiwei Quotes
Chinese
Artist
Andy Warhol Quotes
American
Artist
Claude Monet Quotes
French
Artist
David Hockney Quotes
English
Artist
Gerhard Richter Quotes
German
Artist
Henri Matisse Quotes
French
Artist
Kehinde Wiley Quotes
American
Artist
Leonardo da Vinci Quotes
Italian
Artist
Marcel Duchamp Quotes
French
Artist
Marina Abramovic Quotes
Serbian
Artist
Maurice Sendak Quotes
American
Artist
Michelangelo Quotes
Italian
Artist
Paul Cezanne Quotes
French
Artist
Robert Genn Quotes
Canadian
Artist
Robert Henri Quotes
American
Artist
Yoko Ono Quotes
American
Artist