A Quote by Trey Parker
I think you could take any Bruckheimer movie and do it with puppets, and it would be screamingly funny.
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Nobody can make a movie as exciting as Jerry Bruckheimer. When it's a Jerry Bruckheimer movie that it's going to have lots of chrome and gloss, it's going to be sexy, and it's going to be big and fun.
I'm screamingly funny, you know, I really am in the books. And that helps because I'm funnier than a lot of people, I think, and that's appreciated by young people.
I do a public access show with puppets. Puppets called actors, TV and movie stars.
Funny enough, there have been puppets in everything I've written because I have a huge love of puppets. There's a big puppet musical at the end of 'Sarah Marshall.' I wrote 'The Muppets.'
But I think once the word gets out that the movie is funny - funny is transcendent - it will traverse all demographic barriers if people embrace it as a funny movie.
Sometimes it's funny for me to just pretend I'm a movie character, and think what would you do if this was a movie? Or, what would you do if you were one of your icons?
I don't feel any pressure to be funny at all. I'm funny because I want to be funny. I could sit here and be serious for an hour and you would go away and make me much funnier than I am.
I took it really seriously... as serious as any actor could take a movie . I had so much fun doing movie Dragonball . But I take any part I do seriously because I feel a sense of responsibility to the young kids who have saved their money to go and see a movie. I feel it's my responsibility to make it the best I can, because I don't want to let anyone down.
I'm a pretty funny guy, and I would love to do a comedy with a bunch of funny guys - movie-star guys, where they could help me through it.
People sometimes ask who I would cast in my books and I never have any idea. I don't think I could ever write a book thinking of it as a movie the whole time. This would be like building a house and filling it with furniture just so you could have blueprints.
The question is, do we have a shadow government? And, if we do, who are those intelligent minority that is -- that is guiding us through? And where are they guiding us to? If you skip past all of the puppets and the strings, if you stop looking at the puppets themselves, you have to see who's behind the puppets. Who is choosing the puppets and the players? Who's the puppet master? George Soros.
What we set out to do with this movie [Leaves of Grass] was to create something that was funny and serious and had large tonal ambitions. A movie that could be poignant and funny, and suddenly quite violent. To have a character utterly sideswiped, and to learn that life is about balance.
I hate puppets so much. I dream about puppets all night. I see strings on people. The nice thing is we can just take a puppet and put it in front of a wall and blow the shit out of it.
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
The movie [ The Innkeepers] is in no way a comedy, but I would put some of the funny scenes up against some of the funnier comedies this year. I think it's genuinely really funny, but it's out of the gallows.
At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.'
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