A Quote by Trey Songz
I get to go make music, and I get paid to do it, and this is what people love me for. I couldn't ask for anything greater, so how could I not go in the studio and make a million songs?
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Don't ask for a million dollars. Ask for the stuff that'll get you a million dollars - your health, your brain, your sanity, wisdom. Prepare me for when I do get that million. Make sure I don't go crazy, make sure I help my family.
I think people can just make things now. It's kind of what happened with the music industry. Before, a band couldn't afford to go into a nice studio, or if they were going to go into a nice studio, they had to record twenty-five songs in two days. That's not a healthy workflow for anyone.
I don't take anything for granted; awards and all that go with it are very nice, and it's nice to get a positive response, but for me, it's about the music. I don't make music to win awards. I make music for the people.
I think a lot of people go into filmmaking thinking, "How can I make a career?" And so when they make their first film, they make it thinking, "Well, this'll be the one that gets me to the place where I can make the second film the way I want to make it, and that'll get me to the place where I can make $100 million on the third film." And I thought, "Well, if I put sustainability at the bottom of my priority list, then what opportunities is that going to free me up to pursue?" And that's what I've always done.
I don't go in the studio to make music that won't matter. I go in every night to try to make a point and make the best music that I can make.
If you paid me $2 million, I'm sure I could lose my belly. But I don't get paid to look a certain way. I get paid to win fights. That's what I concentrate on.
Country music is about new love and it's about old love. It's about gettin' drunk and gettin' sober. It's about leavin' and it's about comin' home. It's real music sung by real people for real people, the people that make up the backbone of this country. You can call us rednecks if you want. We're not offended, 'cause we know what we're all about. We get up and go to work, we get up and go to church, and we get up and go to war when necessary.
I love the feeling of letting fly, of pushing as far as I could go with my voice. The only way you can really graduate how you do it is by doing it regularly to people who don't have to be super impressed. You can do it in the studio all day long but you don't get the flashback that you get onstage.
In general when you fall in love with an artist and their music, the plan is a fairly simple one. .. get people to go and see them, and make a record that you think properly presents their music to the public and some of which you can get on the radio.
I've always said, just go ask my teammates if you want to know about me. Go ask the guys that I've played with. Don't ask or get information about me from people who are not in the locker room or not around me all of the time. Then you'll get legit answers.
I don't want to make music alone in a dark studio and make me feel awful and depressed. I want to make music and feel happy and get to share it with people.
If 5000 people bought my record, I would appreciate those 5000 people. I make music for them because music isn't supposed to be so money driven. I didn't get into the music game because I wanted to make money. I sing because that's a God given talent of mine and it's something I love to do. If it's 10,000 or a million people, I'm going to give people the music they like from me. That's what being an artist is. Whoever likes your work, that's who you do it for.
I write pretty often. I have a home studio. Music is what I do for fun. I never get tired of it, so to take a break from [TV and movies], I would go make some music.
I get a lot of letters from people saying, 'How do I get into radio, how do I get into telly?' and I wish there was an answer, because there's no ladder. There are no parameters. You've just got to go in wherever you can, make the tea, and slowly make your way up the ladder.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
I feel like when I'm on stage, when I'm writing songs, singing songs, I'm in the studio, I'm shooting videos, I kind of get to become this character, and I can make that whatever I want to make that.
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