A Quote by Tricky

I can remember arguing for two days with Mark Saunders about 'Strugglin'.' He said: 'This can't work. It's not musically correct.' And I said: 'If I can hear it in my brain you can't tell me it can't work.'
Years ago, I heard an interview with violinist Yehudi Menuhin. The interviewer said, "Do you still practice?" And he said, "I practice every day." He said, "If I skip a day, I can hear it. If I skip two days, the conductor can hear it. And if I skip three days, the audience can hear it." Oh, yes, you have to keep that muscle firm.
I was over at Alison's [McGhee], I think we were playing Scrabble. I remember we were both complaining - yeah, we sound like whiners - about how hard writing is, and how we didn't have a story to work on. Alison said, 'Why don't we work on writing something together,' and I said, 'Eh, I don't know if I could work that way.' She said, 'Well, just show up here and we'll see,' and I said, 'Well, what would it be about?' She said, 'Duh, it'd be about a tall girl and a short girl.' So I agreed to come and try it for a day.
I said: what about my eyes? God said: Keep them on the road. I said: what about my passion? God said: Keep it burning. I said: what about my heart? God said: Tell me what you hold inside it? I said: pain and sorrow? He said: Stay with it. The wound is the place where the Light enters you.
Reuven listen to me. The Talmud says that a person should do two things for himself. One is to acquire a teacher. Do you remember the other." "Choose a friend," I said. "Yes. You know what a friend is, Reuven? A Greek philosopher said that two people who are true friends are like two bodies with one soul." I nodded. "Reuven, if you can, make Danny Saunders your friend." "I like him a lot, abba." "No. Listen to me. I am not talking about only liking him. I am telling you to make him your friend and to let him make you his friend.
When you don't have a seat at the table, you're on the menu, my friend Lee Saunders has said, and he is correct.
I got married three days after graduation, and the first thing I did what I was expected to do which was to work on a small newspaper. So we were in Chicago where my husband worked for the Chicago Sun-Times and we were having dinner with his editor and he said 'So what are you 'gonna do honey?' and I said 'I'm going to work on a newspaper', and he said 'I don't think so", because Newspaper Guild regulations said that I couldn't work on the same newspaper as my husband.
I am straight forward; I am not manipulative; I am not two-faced. And I think that that has served me well in all of my roles, particularly as a diplomat, because people knew if I said something, I meant it. If I said no, I meant no, and if I said we could make this work, we would make it work.
Do good work and let that speak for itself. Don't waste time arguing with someone. Instead, show them in your work. That's easier said than done, but it really is the best solution. No one can argue with good work.
Before receiving your instruction, I must tell you what happened to me one day. I had just had a closet built at the end of my garden. I heard a mole arguing with a cockchafer; 'Here's a fine structure,' said the mole, 'it must have been a very powerful mole who did this work.' 'You're joking,' said the cockchafer; 'it's a cockchafer full of genius who is the architect of this building.' From that moment I resolved never to argue.
I remember a very important lesson that my father gave me when I was twelve or thirteen. He said, "You know, today I welded a perfect seam and I signed my name to it." And I said, "But, Daddy, no one's going to see it!" And he said, "Yeah, but I know it's there." So when I was working in kitchens, I did good work.
Glad it was you and not me," Shane said, and offered Myrin a hand up. "Any brain damage?" "Since the bullet actually passed through his brain, then yes, idiot boy, there's certainly brain damage," Oliver said. "It will pass. His brain's the least fragile thing about him." "You say the nicest things," Myrin said. He was slurring his words, and he threw an arm around Oliver's neck. "Marry me.
Randy said I could call him for anything, Paula said that she loved me and said how much of a star I was. Simon was like, keep up the good work and I'll have nothing to worry about.
I was living in New York, so I just rode my motorcycle up to the set [of New Jack City]. So first day of work for me was kind of tough. I get ready to get off my bike, and I'm surrounded by the security guards, who were Louis Farrakhan's Nation Of Islam guys. Who had the double-breasted suits and guns. And this guy goes, "Where you goin'?" And I said, "I'm here to work." And they said, "No you're not." And I said, "Yeah. I'm here to work on the movie." And they said, "No you're not. Get on your bike."
I had two chances to fail [working for Disney]. The first one, they said was "too juvenile." The second one was,they give you general areas to work in. They said, "Set 'My Fair Lady' in ancient Egypt."I came up with this idea about an Egyptian princess, and I gave her, as a sidekick, a little scarab. I had a telephone meeting with the executive "handling" me, and he said, "I looked over the notes. Very cute. But lose the beetle.Beetles don't talk." Well, how do you answer that? I said, "Excuse me just a moment, I've got a teacup calling me on the other line."
When I was a young actor I was in a lot of film doing one day work and two days' work, and they've included all those titles, which I don't even remember. I think I've played the lead in about 75 movies.
I have walked into several pubs, and guys in there have said to me, 'My God, you are the girl off the dancing horse.' They have got no idea about dressage, and they said, 'I can't work out whether you make the horse do that or the horse does it itself - we just couldn't tell - but it brought tears to our eyes.'
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