A Quote by Tricky
To be honest with you, it was almost like I could do no wrong after 'Maxinquaye.' And when I was putting together 'Nearly God,' I was thinking, 'Will you stay with me if I put out something that radio cannot play?'
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I must tell you that I should really like to think there's something wrong with me- Because, if there isn't, then there's something wrong with the world itself-and that's much more frightening! That would be terrible. So I'd rather believe there is something wrong with me, that could be put right.
Every once in awhile, Allison Abbate would drop a note and say, "It's going really well!," and I was like, "Great!" So, I had not seen it in about two years. They went off and started shooting, and I saw it all put together with almost the final sound mix and it was remarkable. I was so, so happy and relieved, not in the sense that I thought something had gone wrong, but you just don't know what something is going to be like until you see it put together. Everyone stepped up and brought their A+ game.
I was feeling like I'd been born in the wrong place at the wrong time with the wrong people. I don't believe that anymore, not coincidentally two years after writing Eileen. I think that was the driving curiosity for me, thinking about real and fictional characters who could respond to that problem.
You cannot stay where you are and go with God. You cannot continue doing things your way and accomplish God's purpose in His ways. Your thinking cannot come close to God's thoughts. For you to do the will of God, you must adjust your life to Him, His purposes, and His ways
To be honest, I didn't really understand how involved putting a fragrance together could be - or would be. Once I made the choice to actually do it, I just went for it. I just dove in and have really learned a lot about putting a scent together. It's kind of exciting.
Why didn't I stay at Liverpool after having achieved what I wanted to do: to play, score, and of course to relaunch my career? I cannot answer that. It is better to put the question to Gerard Houllier because I really wanted to stay.
Every time I turn on the radio, I must be on the wrong song or something. But, to be honest, since I went on the road back in 1970, I didn't listen to radio music because I didn't want to subconsciously steal somebody's stuff.
Merlin really taught me how to concentrate, that you play each play as if it were the only play. And if you put all the plays together like that, then you'll come out on top.
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
I start to get the feeling that something is really wrong. Like all the drugs put together – the lithium, the Prozac, the desipramine, and Desyrel that I take to sleep at night – can no longer combat whatever it is that was wrong with me in the first place. I feel like a defective model.
You want to know what I was thinking?...I was thinking that I wished you'd been with me the last couple of days. I mean, I enjoyed getting to know everyone better. We ate lunch together, and the dinner last night was a lot of fun, but it just felt like something was wrong, like I was missing something. It wasn't until I saw you walking up the beach that I realized it was you.
After a while in marriage, it doesn't work anymore. There is something missing, there is something wrong. There are few marriages that stay alive forever. We like something, and after a while, we hate what we used to love.
'Boneless,' even though we were thinking about servicing it to radio, it made more sense putting a vocal on there. This was actually the first time that I really looked at doing a song for radio and kind of let go of some control and listened to a lot of different radio pluggers and had Ultra come in and help out with ideas.
When I got on Stern I realized that this was the one job where you could be really honest and open, almost like Richard Pryor or something. You can be honest about your life and get laughs.
If you want God to do something new in you, you cannot keep doing the same old thing. You have to do something different. And if you do, God will create new capacities within you. There will be new gifts and new revelations. But you've got to pray the price. You'll get out of this what you put into it.
There's definitely been some songs in the past that we've put out, and it was purely us going, 'Okay, we think radio will play this. We think this will be a hit. This will be big for the show,' and all this stuff. But it's like, do you really believe in it?
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