A Quote by Tridha Choudhury
I would not say it was tough doing an intimate scene, however it was challenging to play Sana in 'Spotlight' as she is a versatile character with different shades.
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The only thing I have tried to do is be a part of different films and bring out a different side of me as an actor every time I play a character. I would like to be known as a versatile actor.
All directors on all sets behave slightly differently depending on what the scene is. For example, if you are doing a love scene, which is intimate then the director is likely to be intimate. If you are doing a scene where everyone is mucking around and laughing then the director is likely to start with that. If you are playing a scene which us incredibly heavy and everyone getting killed then there are probably not many laughs on the set.
Obviously, my life and my job in 2010 is very different from Peggy's experience in the 1960s. I exist in a world that enjoys more equality between men and women. But I don't take any of that into my performance. I just want to play the character as who she is as an individual - scene to scene.
I do feel privileged to play Elektra, because definitely she is a strong female character. She's a strong character. It would be nice if eventually we'd just say she's a strong character, not a strong female character.
'Shivalinga' was a tough project - I did my own stunts in the film. I actually enjoyed it, as I play a character with many layers. It was challenging to switch between the many phases of the character.
I would have to say Björk is my dream collaboration. She's just such a character and has such a spirit that is unlike any other artist out there. She's literally on a whole 'nother planet. She's consistently changing and evolving and doing these different wild things with her songs. I think I could learn a lot from a person like that.
The "magic if" is a tool invented by Stanislavski, the father of acting craft, is to help an actor make appropriate choices. Essentially, the "magic if" refers to the answer to the question, "What would I do if I were this character in this situation?" Note that the question is not "What would I do if I were in this situation?" What you would do may be very different from what the character would do. Your job, based on your analysis of the script, the scene, and the given circumstances regarding the who of your character, is to decide what he or she would do.
I would love to play a negative guy, play the villain. It is always interesting to have shades to your character.
Piper insisted she had to be out of breath when we played this one scene, so she ran around the block. Thank God she wasn't doing a crucifixtion scene; we would have had to nail her to the wall.
Voice work is really fun and challenging. I like learning different skills and different styles, and this is definitely different from doing a play or a filmed TV show.
When you're doing a play and you're afraid of a scene, that's the scene you should embrace, because that's the scene that will tell you something about the play.
My mom was such a strong character. I don't want to say she was like a man, but she was tough.
Most actors work on a scene, I try to find out who the character is. So when a scene or a moment comes, I react the way she would react.
With Eclipse, I felt like I was doing a completely different movie and a completely different character. So, yeah, it was nice and challenging.
I really, really liked shooting and doing the scene with Emilia Clarke and Peter Dinklage at the end of 'Winds of Winter,' when she gives him the Hand of the Queen. Because we shot it very simply. We felt like we had managed to do something that was visual but really was a very intimate scene between two people.
Can we call the essay its own genre if it's so promiscuously versatile? Can we call any genre a 'genre' if, when we read it from different angles and under different shades of light, the differences between it and something else start becoming indistinguishable?
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