A Quote by Tridha Choudhury

We as actors ought to breathe life into a character and do it seamlessly to connect with the audiences. — © Tridha Choudhury
We as actors ought to breathe life into a character and do it seamlessly to connect with the audiences.
My heroes are Bill Murray and Dustin Hoffman. Those are the two actors that both do comedies and dramas, seamlessly. Also John C. Reilly and Philip Seymour Hoffman. They're all just great actors, neither comedic nor dramatic. They're just great actors.
One thing I think is really important is chemistry, and if actors have chemistry, audiences will pick up on that. Audiences will root for characters that don't even exist as a couple because the actors' chemistry is so strong.
Believe in the reader and they can connect the dots, if you succeed breathe life into the story
If I just track Shang-Chi's journey in the context of table tennis in my life, it actually fits perfectly, and that's why I was able to sink into the character so, so seamlessly.
We shouldn't confuse singers and performers with actors. Actors will say, "My character this, and my character that." Like beating a dead horse. Who cares about the character? Just get up and act. You don't have to explain it to me.
There's two types of character actors. There's character actors who play all different characters. Or there's actors who always play the same part; they're just a bit funny-looking.
The moment I remember to breathe and connect to what's real, connect to love, get grounded, get present, then everything has a way of sort of falling into place.
Man, having an ideal before him of that which he ought to be, and is not, and acting as though he possessed the character he ought to have, but has not, comes, by the very virtue of his aspiration, to possess the character he imagines.
The music and lyrics of Rodgers & Hammerstein connect seamlessly. Singing those beautiful songs was a joyous experience for me, and one that I will never forget.
My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
I'm a mammal at the end. I breathe out and breathe in and eat. At the end, when we go to sleep, nobody lives this political definition. It's something we connect by and we try to understand each other by, but at the end, we know that this is not who we are.
I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.
I connect much more with theatre actors than with cinema actors - insofar as you can speak of 'cinema actors' in Mexico, because there isn't a big film industry.
'Free Solo' has got nothing to do with politics, so to speak, but why are audiences responding to it in the degree that they did? I think it's because we give people an opportunity to see someone. Also, he's able to connect when you don't think he could connect. It's a respite.
Actors are the most important. Performance is what matters. Nothing matters more than the actors; they have to perform. No one else can give life to the characters. Audiences must believe the characters as real and the moments as real.
I'm sure the audiences will connect with 'Yeh Hai Aashiqui,' as it will feature stories inspired from real life.
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