A Quote by Tridha Choudhury
I said no to too many projects in Mumbai because I felt that it wouldn't have established me as an actor.
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There are so many projects that I've written and had to abort because either I felt too distressed by what I was doing to the people who I was writing about, or they couldn't cope with it because their view of themselves was so far removed from reality.
One question," I said. "Did you tell me all that because you think I'm going to die?" "No," he said. "It's because you're doing something brave, and I felt I should too." "I'll take that as a yes," I said.
I've done some movies because I would regret them if I didn't, but other projects I've done because they've scared me or if I felt I needed to do a big romantic comedy to help me professionally. Then I'll take a teeny movie when I need to work on myself and become a better actor.
When I was doing theatre in Mumbai, actors won't come because they had television. For many years, I did theatre religiously and in Mumbai, I saw people disrespecting it and it hurt me very badly.
There are more stars than there are people. Billions, Alan had said, and millions of them might have planets just as good as ours. Ever since I can remember, I’ve felt too big. But now I felt small. Too small. Too small to count. Every star is massive, but there are so many of them. How could anyone care about one star when there were so many spare? And what if stars were small? What if all the stars were just pixels? And earth was less than a pixel? What does that make us? And what does that make me? Not even dust. I felt tiny. For the first time in my life I felt too small.
Danny DeVito knows about the business from many different perspectives, because he is a producer and director as well as an actor. At one point we were on the set late at night and he said: 'come here I want to brush your hair'. I said 'ok'. He sat there brushing my hair and told me that his job before becoming an actor was as a hair stylist in Manhattan. I said "what?" But it is true.
I did not come to Mumbai because I wanted to be a star. I came to Mumbai because I genuinely love acting, and it gives me a kick.
Someone asked me...how it felt and I was reminded of a story that a fellow townsman of ours used to tell--Abraham Lincoln. They asked him how he felt once after an unsuccessful election. He said he felt like a little boy who had stubbed his toe in the dark. He said that he was too old to cry, but it hurt too much to laugh.
There are so many fabulous heroine-oriented projects happening in Mumbai, whether it's 'Kahaani,' 'Bobby Jasoos,' 'Queen' or 'Mardaani.'
Though Suparna is a Malayali, she has spent a large part of her life in Mumbai. She's a Mumbai girl. In fact, I saw the real Mumbai through Suparna's eyes. Of course, I knew Mumbai before I got to know Suparna. But it was Suparna who showed me sides to Mumbai I had never seen.
I'm a loner, and I'm most comfortable living by myself, but Bengaluru is home for me, as my family is there. Having said that, once you come to Mumbai, you can't turn your back on it. I've grown close to Mumbai now.
So there's no such thing as one too many this, one too many that. I remember, you're reminding me of early in my career, somebody said to me: why are you taking so many roles as a policeman.
There are many projects that come an actor's way, and one cannot say yes to all of them. Reasons of saying no vary all the time, but for me, it has never been on the pretext of not wanting to work with 'a particular actor' ever! I would never do that.
We saw too much beauty to be cynical, felt too much joy to be dismissive, climbed too many mountains to be quitters, kissed too many girls to be deceivers, saw too many sunrises not to be believers, broke too many strings to be pro's and gave too much love to be concerned where it goes.
I have said no to many, many Day of the Dead projects in the past, about 10 or 15, because every time I heard a take it was from someone who didn't know the celebration.
Identity is a very difficult thing in the theatre. As an actor said to me one day, 'What are we doing today?' when we were doing a workshop. And I said, 'Oh, just be yourself'. And he said to me, 'I don't know who that is, I'm an actor'. And I begin to realise in fact that we seek identity because we're told we should have one, but I wonder whether it's necessary.
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