I got a sneak peek into the functioning of the film industries of the south through Telugu cinema. This industry has helped me understand how to adapt to various styles of filmmaking. It's been liberating.
Balancing my career between two industries has never been an issue. I started with a Telugu film and have a soft corner for the south industry, though I've grown up speaking Hindi. I don't think language can be a barrier when it comes to acting. And, since I come from a theatre background, I'm used to memorizing my lines.
I prefer the Telugu film industry, as women are respected more than they are in the Tamil film industry. In Tamil cinema, they care only about their hero, who is God.
Comedy's been really liberating for me because I've been able to sneak the singing part in through the back door.
Telugu and Tamil industries keenly watch Malayalam movies and are appreciative of the content, be it 'Ustad Hotel,' 'Premam' or 'Bangalore Days.' They've also been listening to our music. That's how I was approached for Telugu films.
Having done movies in Malayalam, Telugu, Tamil, and Hindi, I have been accepted both in North and down South. I don't believe in divisions. I like to believe that I am working in the Indian film industry.
People used to call me a one film wonder. I am glad to understand the dynamics and demographics of functioning in this industry.
Having worked in Hindi, Telugu, and Tamil film industries, I've been lucky to have travelled far and wide for shoots.
National film industries tend to move in cycles. In Australia right now, we're on a high, a feeling of potential, which as yet shows no sign of flagging. But the word 'industry' is misleading. A small national cinema has no industry in the Hollywood sense.
National film industries tend to move in cycles. In Australia right now, we're on a high, a feeling of potential, which as yet shows no sign of flagging. But the word "industry" is misleading. A small national cinema has no industry in the Hollywood sense.
I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.
I have acted in all four film industries in the South. I speak all four languages because of my upbringing in various cities.
The only time a friend has ever helped me in the industry was how I got my first job - that was through Mike Figgis.
It's been a long and wonderful journey for me but feels like it was just the other day when I started my career in films. I am very grateful to this wonderful Telugu cinema industry and the audience for all the love and unflinching support without which it would not have been possible.
Sometimes Chris wished he could sneak a peek at the back of the book, so to speak, and see how it was all going to turn out, so that he wouldn't have to bother going through the motions.
We cannot compare Marathi cinema industry with other regional industries or even Hindi industry. It will be unfair for us. Every industry takes time to evolve.
Coming from the Malayalam sets, when I went to Telugu, people told me that I wasn't acting and that it felt dead. It was very subtle in Malayalam, while it is slightly dramatic in Telugu. It is quite fascinating to understand what each industry expects of you and work according to that.