A Quote by Trina Robbins
I always drew. I don't remember a time when I didn't draw. And I actually drew comics from the age of maybe ten through twelve.
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I went to an art high school in Washington D.C., and I majored in visual art. When I started there, I was horrible - couldn't draw, couldn't sketch, couldn't do anything. I remember at one point I came to terms with the fact that I had to work my ass off to do well and that's exactly what I did. I drew and drew and drew, and it worked - I ended up getting the award for best artist and went on to apply to design school because I loved it so much. I think it really speaks to the idea that you can in fact excel at whatever you put your mind and your heart to.
I drew as a child, they tell me. I can vaguely remember doing it. And then I drew again in the late years at high school.
The principle factor in my success has been an absolute desire to draw constantly. I never decided to be an artist. Simply, I couldn't stop myself from drawing. I drew for my own pleasure. I never wanted to know whether or not someone liked my drawings. I have never kept one of my drawings. I drew on walls, the school blackboard, odd bits of paper, the walls of barns. Today I'm still as fond of drawings as when I was a kid - and that was a long time ago - but, surprising as it may seem, I never thought about the money I would receive for my drawings. I simply drew them.
From the time I was three or four years old, I drew all the time. Drew all the time, every second.
When I was little in Spokane, Washington I drew all the time... and my father would bring paper home... and I mostly drew browning automatic water-cooled sub-machine guns... that was my favorite.
A few years ago, kids from poor areas in France were asked to draw items of food. For a chicken, they drew a drumstick. For a fish, they drew a fish stick. Those are extremes, but there is a lot that needs to be done to help children discover good food.
The problem with fame is you no longer belong to you. You lose your persona and become the object of other people's obsession. I feel watched 90% of the time, but that is something I drew with the cards that I drew.
I've been drawing since about age 5. In kindergarten I drew a picture of my teacher and she loved it! Made a big fuss over me. That's when I realized that, if I drew cool pictures, I could get attention from adults. From that point on I was an attention freak!
I never read the "Bobbsey Twins" or "Boxcar Children."But I did remember being downtown, at the bookstore by myself and having an allowance and spending it on a Nancy Drew mysteries. And I was probably eleven, twelve.
I started off doing indie comics that I wrote and drew myself. I was doing those for ten years before I started to work for DC. The first book that I wrote for DC was for another artist. I did some backups in 'Adventure Comics' years ago starring The Atom. That's the first time that I ever wrote for another artist.
Drew is a player that comes along once every 20 years. Not even Barry Bonds can be compared to J.D. Drew.
The ancestors of printed comics drew, painted and carved their time-paths from beginning to end, without interruption, ... the infinite canvas.
I remember when I was in school, they would ask, 'What are you going to be when you grow up?' and then you'd have to draw a picture of it. I drew a picture of myself as a bride.
I'm in a comic book now. That was cool. That's something that I'm still sorta reeling about, 'cause I read comics as a kid. Someone drew me, and actually did a pretty good job!
The first time I drew a Superman story was 'For Tomorrow' with Brian Azzarello in 2004. It didn't really hit me how important it was until I drew a scene early-on in the book that featured Superman crossing paths with a giant, intergalactic space armada.
Going back to Georgiana Drew and John Drew, and my great-grandfather Maurice Barrymore, and it was such a sort of circus of odd, interesting people that loved acting.
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