A Quote by Trip Lee
I would be down to collaborate with certain people if we were able to do it in a way that, you know, what we're saying in the same song wouldn't contradict.
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You can go back 150 years and literally find the same people saying the same thing in the same way. "If we have to pay you more, it will be bad for you." And that's because saying that is a much more polite way of saying, "I'm rich, you're poor, and I would prefer to keep it that way."
Whites who otherwise were able to tolerate a black president, Obama, because on certain issues he appealed to them on substance, Trump was able to reach down into some of those same people and pull out this racism inside them.
If I had to collaborate with anybody on a song, I would pick Kendrick Lamar because he is so dope as an artist and I love his hustle and his passion. He is fearless and the way he comes to the music is like we share the same passion for what we do and with somebody from the West. In my opinion that would be a great collaboration.
When I decided to collaborate with people, I wanted to collaborate more with the underdogs, the street people, messing with the people like Jae Millz and Papoose. When I went to New York, they were all over the mixtapes, so I wanted to get down with those guys instead of trying to go safe with all the super-big names.
As a woman you have to tick all these boxes to be able to be on TV. I know I look a certain way and that's partly why I'm on TV. If I were really ugly and fat, I don't think I'd have had the same chance.
A song is like a smile. If you meet people from another country, even if you don't speak the same language, you know what a smile means. A song works the same way. Music produces feelings that need no translation.
You would never hear any song played twice in the same way. The words were retained, but within a certain frame there was great latitude, and the musician could improvise to his heart's content; and the more the variations and combinations, the greater the musician.
I remember my mother saying to me on one occasion, 'Mel, I know that I can count on you.' I resolved that she would always be able to count on me. I would not let her down. I loved her too much. Her confidence in me meant everything. Today I still feel that way. I feel that way about the Brethren. I don't ever want to let President Hinckley or any of the other leaders of the Church down. But, even more important, I never want to let the Savior down, because I love Him more than anything else.
If the roles were reversed, I would be saying the same thing. As a competitor, you're tired of the same guy winning. I guess I understand where they're coming from and what they're saying ... I don't necessarily agree with it. I think it would be great for someone to win five straight.
I love this idea of being able to touch people with something quite familiar, something quite emotional, and at the same time, have the feeling that this is a new way of doing it, a fresh way of showing things. I like radical people. At the same time, I'm fascinated by popularity, people who were able to have huge success and also keep their consistency.
At first, it was hard to sit down and read the things that people were saying. A lot of people would've worked their way up to this position and would've gotten a thick skin over a few years' time. For me, though, all this happened in a few months.
I was very combative as a creative person at that time [while The Ben Stiller Show]. I didn't understand how to play politics with the studios. I didn't know how to creatively collaborate with the people who were paying the bills, and that came up all the time on every project I was doing, and it took me a really long time to figure out how to collaborate in a healthy way.
I don't really write any of my raps down. The same, Kanye don't write any of his raps down. Common. It's easy that way. For me, personally, I figure I will lose some of the inspiration in the time of me writing it down, or I'll say it a certain way because I wrote it a certain way.
I would write down the lyrics to 'C.R.E.A.M.' in Korean - not translating it, but phonetically writing out each word. I didn't know what they were saying, so I would just write everything down as I heard it. I would recite it and imitate it like that. That's how I started to write my own raps.
I want to collaborate with me 'cause I've done so many collaborations that after a certain point unless you're really working with a certain caliber of an artist, there's no point [to collaborate].
I'm an extremist so I'm either hated or loved. I think it's down to when I first got to Formula One not always knowing what I was saying, saying things that mean one thing but people were taking the other way and then people don't forget.
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