A Quote by Tripti Dimri

I think my film 'Laila Majnu' was in theatres for 7 days and I was very excited. I attended as many shows I could in those 7 days because I was seeing myself on the big screen for the very first time. I was very excited. But then, sometimes there were 20 people, sometimes 5 or 1 or 2, that really broke my heart.
A normal day of working in Burbank is 14 hours, sometimes more. On 'The Revenant' sometimes it was eight hours, but we were shooting only five. So they were short days, but they were very strenuous because of the weather. And it was very dark.
We're very proud of our business relationship, it's been very special for 20 years. Who can say that? It makes me shake my head sometimes driving to the rink, because I'm still excited to see Tessa at the arena for warmup.
I think it's very common that scientists or technical people have an artistic side. Sometimes they are very accomplished musicians. Sometimes they have very fine tastes according to art or design. And often, they've spent a big chunk of their childhood or they're growing-up years trying to get in very good at those activities.
If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.
I'm always surprised when you do something very different that people don't get behind you more, because you're always told, "Take chances! Stretch!" And when you do it, sometimes people get really supportive and excited, but sometimes people go at you because you've tossed out the formula.
I feel very strongly influenced by long-form box-set TV drama... I feel really excited that, at last, the novel has found its on-screen equivalent, because the emotional arcs and changes that you can follow are just so much more like a novel, and so many amazing shows recently have done as much as film can do to show the interior world.
I can't get very excited about the House of Commons these days because I don't feel the power is there. What is really bizarre is that you sense it is not in Washington either. It is now very hard even to locate the levers of power, let alone to pull them and change things.
[T]hese last few days where I've moped around damn near depressed for real, because of people who do not exist. Not really. I can buy them Christmas presents, but there is no way to send them. Sometimes I feel like I should be able to walk into the next room and there they will be, but they won't. These people do not exisit as flesh and blood, but there are different kinds of reality, and there are days when imagination feels very, very real.
I was working with these very long-chain ... extended-chain polymers, where you had a lot of benzene rings in them. ... Transforming a polymer solution from a liquid to a fiber requires a process called spinning. ... We spun it and it spun beautifully. It [Kevlar] was very strong and very stiff-unlike anything we had made before. I knew that I had made a discovery. I didn't shout "Eureka!" but I was very excited, as was the whole laboratory excited, and management was excited, because we were looking for something new. Something different. And this was it.
When we overthrew Mubarak, we did this in 18 days. And because we were very naive and very unexperienced in revolutions, we thought that that was it. It is very difficult to imagine that you can actually get rid of a dictatorship that has been there for 60 years only in 18 days. So we were very naive.
Since then, my approach to all things spiritual is rather cynical you could say. When somebody present something to me as spiritual, my first instinct is to be cynical and think, "oh yeah, one of those again." You see so much of it see in "spiritual culture" and people get very excited about it. It's all very "hoo haw."
Sometimes I have experienced at the start of a film you're very excited and enthusiastic and you've done all your preparation internally and externally and you start the film and it's all go... Then your attention goes somewhere else. Your energy goes into telling the story, so you don't have the same amount of energy to be objective, and that's okay because sometimes you become a subject of the story and you're inside it so much that you don't need to keep on looking on the outside.
This year, 1.7 million young people will be participating in Olympic and Paralympic sports in their communities-many of them for the very first time. And that is so important, because sometimes all it takes is that first lesson, or clinic, or class to get a child excited about a new sport. This summer, together with our children, we can support Team USA not just by cheering them on, but by striving to live up to the example they set.
I really don't think in the past. I sit down with many friends at dinner, and they like to talk about the good old days. I'm respectful of the good old days, but I find myself spending very little time reminiscing. I'm really looking forward.
I am very excited to be included in the very first college baseball Hall of Fame class. For me to be honored with these coaches and players that I have grown to admire and respect is very special. I'm looking forward to seeing everyone in Lubbock.
The first memory I have, anyway, I guess - I think it was my second birthday and the cake came out with the candles and I was very excited and I was, like, "Oh! A cake!" and then my cousin blew out the candles. I was so disappointed. It just broke my heart. And so that's stamped in my brain.
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