A Quote by Tripti Dimri

Prepping for any character is the most important thing because if you don't know how she walks, talks or thinks, you can't do justice to it. — © Tripti Dimri
Prepping for any character is the most important thing because if you don't know how she walks, talks or thinks, you can't do justice to it.
When she walks she walks with passion when she talks, she talks like she can handle it when she asks for something, boy she means it she know you would do [anything] to keep her by your side she'll make you work hard make you spend hard make you want all, all of her she'll make you fall real fast [in love].
Ask any Mexican, any Puerto Rican, any black man, any poor person - ask the wretched how they fare in the halls of justice, and then you will know, not whether or not the country is just, but whether or not it has any love for justice, or any concept of it. It is certain, in any case, that ignorance, allied with power, is the most ferocious enemy justice can have.
In any character I ever play, whether she's good or bad or whatever, my most important thing is heart.
A way a woman walks and talks and moves and behaves is completely connected to how she looks.
I think that the most important thing for me is how is the character that I would be reading for? Is it interesting? Is there stuff to do? Are there things that you can do with the character? How can you play it out? Just those kinds of things that are very important for an actor.
(on Katharine Hepburn) She talks at you as though you were a microphone; she lectured the hell out of me on temperance and the evils of drink. She doesn't give a damn how she looks. I don't think she tries to be a character. I think she is one.
I know I can't make everyone happy, but I know I can do the most justice I can possibly do to a character, or any character, if I put my all into it. That's the choice you have to make.
I am a fighter who walks, talks and thinks fighting but I try not to look like it
After reading the script I ask the director about my character's background, what does he do, how he walks, talks, what clothes he wears... I ask the director how he is looking at it.
Just because Rachel [from the Girl On The Train] is an unreliable character doesn't mean she has sex with anybody who walks by her. It was important to keep her a little virginal.
I think that the most important thing for me is, how is the character that I would be reading for? Is it interesting? Is there stuff to do? Are there things that you can do with the character? How can you play it out? Just those kinds of things that are very important for an actor. Also, a good director and good dialogue.
I feel it's very important for an actor to believe in the character that he/she is playing and do full justice to it in order to convince others that you are the character you are portraying.
I loved Catwoman's sense of humor. I love how sly she is. I love how she, to use a cat metaphor, walks the fence and you don't know which side she's going to come down on. She's totally independent. And let's face it, she's badass.
Winning takes character and intelligence. It is the most important thing you can do because it's a reaffirmation of your character.
I can tell any liberal why he or she thinks what they think. I can predict to them what their reaction to any event or person is going to be, because I know them, because I have taken the time because I'm curious to study it. I know what liberalism is. I know from where it springs and derives, and I know the vast majority of people who are liberals, what they are going to do, say, and think about.
Whenever a man talks he lies, and so far as he talks to himself - that is to say, so far as he thinks, knowing that he thinks - he lies to himself. The only truth in human life is that which is physiological. Speech - this thing that they call a social product - was made for lying.
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