A Quote by Trish Stratus
Recently, I went up to Casino Rama to see Martin Short's show, just to see how he put it all together. And after the show, I went backstage and picked his brain to find out why he did certain things.
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My family was amazing; they exposed me to the world of show business, and, boy, it was the '70s and I got to spend a lot of time backstage at theaters and see the inner workings of how this entertainment industry is really put together.
This is my point of view, and that's why I call the show 'Ramy'. I made the show that I would want to see. So it's only going to hit on certain things.
One of the things I've learned - before I would go on a show, I was like, "Oh God, I hate that show" or "That show is gonna get canceled." But now after being full-time on a show, you see how difficult it is and how much work goes into it and how so many decisions are based on finances or people's schedules or talent or location issues. It's a miracle that anything gets made.
You know, when you've idolized something, you put it on a shelf, lift it up, and when King Day comes out, you pull it out and show it. Or when Black History Month comes out, you show it, or when April 4th or other times, you show it. But, you see, Dad wouldn't want us to idolize.
Pre-show, I warm up my voice, stretch, do a little team huddle, and sometimes throw a shot of whiskey in there, too. After the show, I hang out at merch meeting people and signing things. After that, I usually try to see friends in whatever city we're in, or if I'm super beat, listen to a podcast and pass out.
You can't show up on set and expect it all to come together. You have to have a plan, much like how the director can't just show up and go, well, where should I put the camera? That is gonna determine how it is lit, you should have already been in the room looking at it earlier, pre-lit the room, you know there is a lot of prep that goes into it, so it is the same thing with acting. You can't just show up.
My brain does like the idea of hosting a late-night show. My brain does like the idea of maybe having a show about me. So, I often pitch ideas and work on scripts and do that just because I may not be right about how I feel, so why not just do this, and if it happens and I got my own show, well maybe I would really end up falling in love with it.
I always say I'm not going to care this time, but I always do. Like, I did one this season called Tax Man with Martin Short, which was like, "Are you kidding me? Doing a pilot with Martin Short? Like, career high." And I just assumed, because it's Martin Short, like, "How are they not going to pick that up?" But they didn't.
I'm catching up. I'm satisfied with the show. I think I want to get better and better and keep building. It took a while to figure out how to do it. I didn't know how it was gonna go. I was just like, "I better book a show and just see what happens."
When you see Major League Baseball putting academies in other countries, obviously that throws up a red flag. You wonder why they ain't going up in our neighborhood. Bottom line, what I see, I talk about... I see it over and over. If anybody can show me I'm wrong, then show me.
A lot of people look down on people who are successful, but Conor McGregor is successful because he runs his mouth and he knows how to put on a show. I mean, look at his press conferences. I mean, come on. People show up just to see him just act nuts. Hats off to that guy, he's a very intelligent, very smart guy.
My memories of Las Vegas were all with my father when I was, like, a teenager. He was best friends with Frank Sinatra and Dean Martin, and we'd come up and see the shows and go backstage afterwards and have dinner together. It was one of my first educations about stars and how they really are back stage.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
I imagined Kandinsky's mind, spread out all over the world, and then gathered together. Everyone having only a piece of the puzzle. Only in a show like this could you see the complete picture, stack the pieces up, hold them to the light, see how it all fit together. It made me hopeful, like someday my life would make sense too, if I could just hold all the pieces together at the same time.
It's like, backstage at 'SNL,' like, if you come back after a show or something, or a lot of times even at the after-parties, we're just pretty tired and like, 'Hey, what's up.' Just getting a drink and kind of chilling out. Nothing crazy.
I would love to have the biggest band that I can have. I'd love to put on a massive show and just give people their money's worth, then just come away from it thinking, 'That was a good show', because it's kind of disappointing sometimes when you go and see someone and you can see they're not that bothered.
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