A Quote by Trisha Goddard

Somebody like me wouldn't have gone on to the Trisha show because I already had a public profile. — © Trisha Goddard
Somebody like me wouldn't have gone on to the Trisha show because I already had a public profile.
I would get adult acne when it was somebody really famous I had to interview, so sometimes I would have to look straight at the camera because I couldn't look sideways or profile, because it would show.
If I had to play only for people who liked the music because they heard it on the radio, it wouldn't make me happy. That's why I'm working so hard to have, yes, a profile as an artist, but also a profile as a DJ.
I had a different agent after 'Hook,' and they were, like, 'We don't know where to go with you. It's like you've already gone to the top of what's out there for a young Asian actor.' No one had done anything higher profile than that. And I'm, like, 'OK, but I'm only 15.'
To be sure, the hard-to-come-by interview - the 'get' - isn't an uncommon phenomenon here at 'The Daily Show.' We've had high-profile dignitaries, low-profile indignitaries, stars you've heard of, authors you should have read.
It's interesting: I went 25 years without watching a single television show. I was one of those people, because I was so inside how a television show was made, if I would turn on somebody else's show, I would sit there and analyze it, like, 'Oh, so they had four hours in this location and had to get out and the number of set-ups, etc.'
'Northern Exposure.' I loved that show; I loved the way it was able to have episodes where somebody finds a woolly mammoth, he calls the museum in New York, they send a guy out, and the mammoth's gone because someone ate it. To me, that was everything I ever wanted to do. That show mixed emotion, humor and the surreal all at once.
Big train from Memphis, now it's gone gone gone, gone gone gone. Like no one before, he let out a roar, and I just had to tag along.
I have heard some people say I have a low profile. Why should somebody be high profile, anyway? I am just doing my job.
I think the thing that I wish somebody would ask me is just to ask about the business side of the radio show. I feel like I actually work very hard to make sure the business side of the radio show runs, and no one has any interest in how a public radio show is run. And rightly so.
While it was occasionally done here or there, nobody else had a figurehead like Walt doing it. Jack Warner wasn't on TV. Walt was the boss, but he had a real public profile and he used it to his advantage. And he became a household face.
I feel like I was transformed by the kindness of people who had every reason to show me cruelty and the transformative power of their decision to treat me like a human being, that was so huge, that anytime somebody wants me to talk about that I feel like I absolutely want to do that.
Show me the prison, Show me the jail, Show me the prisoner whose life has gone stale. And I'll show you a young man with so many reasons why And there, but for fortune, go you or I.
I never studied. I was too afraid. I thought that if an acting teacher had said to me, "You know what, you're not good," I would not have gone any further. It was easier for me to justify going to an audition and getting rejected, maybe because they wanted somebody blonde, maybe because I wasn't experienced enough. I could live with that more easily.
I've lost count of the number of times that I've been approached by strangers wanting to tell me that they think I'm brave or inspirational, and this was long before my work had any kind of public profile.
Somebody has to give a wakeup call to our coaching world to ask them real questions and show them that if you have kids, then you know there is no way you can talk to somebody else like that, because that's somebody's child.
I did this thing with Trisha Yearwood, a song called 'The Price.' I had been sitting on it for a while, because I figured, you know, this really needs a good singer.
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