A Quote by Trisha Yearwood

I almost never make stuff out of cookbooks because they're either too complicated or there's an ingredient in there that I can't find. — © Trisha Yearwood
I almost never make stuff out of cookbooks because they're either too complicated or there's an ingredient in there that I can't find.
If you think about movies that are adapted from books, they never feel like enough. There's always too much cut out in the end. You either make a five hour movie or you leave out stuff that should be in there.
I think people kind of come up and go, "Why hasn't that person busted out?" Almost always at the end of career, what you find out is that either consciously or subconsciously success hasn't happened because that person hasn't chosen for it to happen. Either through walking away because it wasn't the life they wanted or through self-sabotaging because they weren't ready.
I love cookbooks. I certainly have my fair share at home, but I'm a really funny cookbook person: I don't really ever cook out of cookbooks. I like cookbooks for the commentary or the pictures or the history.
I never feel the need to go out and make some grand statement that I'm dark and twisty and complicated, because I'm not that either. It's just not as simple as ponies and rainbows, though I do love ponies and rainbows.
PhotoShop is a program I use all the time with my 2D stuff. And that's an extraordinary program - you really can do anything there, and I've never hit my head on the ceiling. The 3D stuff is incredibly complicated, monstrously complicated, but for the things that I want to do, I've found very simple and interesting ways, I hope, of making images without getting tied up too much in the maps and technicalities.
I have strong feelings about cookbooks because I am a lover of them and student of them and devourer of them and collect them. I find them to be a great source of inspiration. When I was a cook and not making much money, I always used to spend most of what I had on cookbooks.
Our language - the way that we deal with most actors is we don't like to get very complicated because we don't want them to think too much because we find it takes them out of the moment.
Such is modern computing: everything simple is made too complicated because it's easy to fiddle with; everything complicated stays complicated because it's hard to fix.
Caring about someone isn't complicated. It isn't easy. But it isn't complicated, either. Kinda like lifting the engine block out of a car.
Never trust any complicated cocktail that remains perfectly clear until the last ingredient goes in, and then immediately clouds.
I remember somebody saying, "I feel really bad for kids growing up around iPads right now. It's just too complicated. Life's too complicated." I think, yeah, but I remember being a kid and holding up a new piece of technology that was made in the '80s and my grandparents going, "Oh, it's too complicated." It didn't seem complicated to me.
When you make movies, I find that I never have time to go to the movies and enjoy movies like I used to, because I'm so movied out, right, I'm so filmed out that the last thing that I wanna do is with the little spare time that I have is stick in a dark room and watch more stuff on the screen.
That's the problem: when you make movies, I find that I never have time to go to the movies and enjoy movies like I used to because I'm so movied out, right? I'm so filmed out that the last thing that I wanna do is, with the little spare time that I have, is stick in a dark room and watch more stuff on the screen.
Change almost never fails because it's too early. It almost always fails because it's too late.
I got into Shakespeare and all of that stuff in high school and then got out of it because it got too complicated. But all of those things just helped me to put words together. It gave me a different perspective.
... I stayed because running seemed too strange and too complicated. All I knew was how to fall back, find a patch of solid ground, and then dig my heels in and fight to start over.
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