A Quote by Trisha Yearwood

When I made my first album, there was no indication that anybody other than my parents were going to buy it. — © Trisha Yearwood
When I made my first album, there was no indication that anybody other than my parents were going to buy it.
My parents were just really weird and protective about the music I listened to. Whenever I wanted to buy an album, they would have to buy it first and listen to it and let me know if I could have it.
I really don't think that anybody's going to buy or not buy a Disturbed album and/or ticket because I am or am not wearing my labret piercings.
A band's first album's usually not great. When you made the first album, you had a day job and you were still trying to be serious about it.
'What's Going On' is one of the greatest albums ever made. I definitely wasn't aiming to make my 'What's Going On,' you know what I mean? That album is definitely deep in my DNA. I've probably listened to that more than maybe any other album ever in my entire life.
I would say basically the commonplace observation that kids aren't going to earn as much as their parents is now is a coin flip at this point. Are you going to do better than your parents? It's a 50-50 chance, whereas if you were born in the 1940s or 1950s, you had more than a 90 percent chance you were going to do better than your parents. So basically almost a guarantee for most kids that you were going to achieve the American Dream of doing better than your parents did. Today, that's certainly no longer the case.
The first album I bought, I didn't even buy it. My grandma got Mike Jones and Bow Wow's 'Wanted' a little later. Matter of fact Ying Yang Twins' 'U.S.A. Still United' was the first album, but Mike Jones was the first album I really love.
If I'd known white people were going to buy my last album, I never would have recorded it.
On my first album nobody asked me for a lot of advice. It was a producer's album. We were sent the same type songs with stock melodies. It was my first album and I was happy to do about anything they'd ask me.
I thought when I... made my first big mistakes in public that that was really going to be the end of me. My parents cried. My friends were desperate.
Apple, iTunes, and streaming services have made the single a more easy thing to access. What that's done has made the album as a collection of songs almost meaningless. But an album that has a concept or story or reason to be an album, if anything, has more meaning now than it ever has.
A lot of people do talk about the demise of the album, but I still believe that if an artist tries hard to make a great album, people will buy it and listen to it as an album, rather than just a collection of random songs.
Albums tend to dictate what they need. Every time I have made an album it sort of feels like it is decided for me how that album is going to sound; it is not really a cerebral decision where you sit down and decide that you are going to make an album that sounds like 'this.'
There's not a great danger in releasing the first single from an album without a video because the momentum from the last album will cause large numbers of fans to buy it.
A bands first albums usually not great. When you made the first album, you had a day job and you were still trying to be serious about it.
Looking at 2014, I look back: we made more money off 'Mailbox Money' than we would have made off taking an advance from anybody. We made more money letting our fans buy the stuff directly from us than what any label could have offered us.
I refuse to buy from anybody anything however nice or beautiful if it interferes with my growth or injures those whom Nature has made my first care.
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