A Quote by Trisha Yearwood
After 'Real Live Woman,' I wasn't sure I'd ever want to make another record.
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It's really important to be free and be open and honest about the things you want to do. Just 'cause you want to make a solo record or another record with another band, it doesn't have to be an insult or a slight to the band you've been with for a long time.
We all record together. We do it live; then, after that, we do overdubs, if we need to, to repair stuff. Usually when we do stuff, we have to make sure we get the bass and drums down, and by doing it live, you're actually playing the song. You're not piecing together a song.
Of course after the fight you want to make sure that you're okay and so is the other guy, it's a brotherhood in there, so you want to make sure everyone is okay after the war is over.
I could do another tour, make a record that's very similar, do similar venues. Or I could make a different record, do different venues, and grow. It's exciting to take it to new places, but it's never been my intent to be the biggest thing in the world. That's not what my drive is. I want to make what I want to make, and make a living off it.
Do we want to be successful, or do we just want to make noise just to make it? Or just to put something on the record? I'll be honest with you, I'm tired of putting stuff on the record. I'm ready to see some real transformation and change.
I just wanted to make a record that wasn't escapism. Like, I didn't want to write another record that was devoid of meaningful content.
If you want to be alive and live in a real world, if you want to have any emotions at all in your life, you must willingly, knowingly, repeatedly set yourself up for things possibly not ending up 'happily ever after.
We want to make sure children aren't left without any books. We want to make sure our children have the books, that they have a place in the castle. We want to make sure that their mothers have affordable day care. We want to make sure we give the older people the care that they need.
I called the guys from Promise of the Real, whom I've been playing with, and they were all on the road. Right after I hung up the phone, I wrote another song and started writing another, and I'm going, "Hey, I can't wait. I should be doing this now!" My experience tells me that when it's there, it's there, and you can't make it wait. So I got Jimmy Keltner and Paul Bushnell, two good guys, and went in and did this record ["Peace Trail"].
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
My grandmother was determined that everyone feel a sense of optimism and opportunity. Marc and I want to make sure we're doing that. This period of our lives is not just a tribute to her, it's inspired by her. And it's for when we have our own children — I want to help make sure we've got a world I want them to live in.
After the 'Golden Compass,' I wasn't sure if I'd ever get another acting job.
Violence is a problem we all want to solve. I want to make sure that kids learn to deal with anger by learning how to talk with people to solve problems. Here in the United States Senate I want to make sure we have safe schools, safe neighborhoods and good things for kids to do after school!
The best putting advice I ever received was make sure you concentrate real hard on keeping that darn ball real low
I think that Trinity's just the greatest character that I could ever play. I don't expect to ever play another woman that wonderful. I have a lot of Trinity in me, for sure.
It's very important not to put pressure on a child. Make sure that she/he feels that whatever happens it's not the end of the world. If they cry after a loss that's normal, as adults also hate to lose. If they win a game you should make them feel very proud but make sure they know the next game will be another challenge.
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