A Quote by Trishelle Cannatella
I tried out for another show while I was in college so I could pay off my student loans, and it sort of led to The Real World. The same people that were casting that show were casting The Real World, so they asked me to do it.
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The casting directors that were aware of 'The Real World' looked at me as a joke. It was so hard to get away from that.
If you work in casting, it's sort of not cool to want to act. A lot of people think that casting directors are frustrated actors, but it wasn't true with any of the casting people I knew.
Pay-per-view events for us were really just another show while we were out on a road tour.
But, yeah, it was just the regular audition process. There were a couple people telling me about it and that they were looking for the actors, but my manager is pretty good at sorting that out. And, (casting director) Rene Haynes cast me in Into the West, and she's always kept in touch and been a real big supporter of my career.
A lot of people thought of casting me in various things while I was still inside the 'Bigg Boss' house. When I came out, people were actually waiting for me so they could offer me new projects.
We did casting in L.A. and a lot of people came against the advice of their agents. The agents said, "You shouldn't be in Postal, it will damage your career." So Zack Ward came to casting and played one of the cop parts, and then later I looked at the DVDs again and said, "This guy is Postal Dude." He's like white trailer trash. He's had a long time in the film industry, but no real success. He needs money; he's two-times divorced in real life. He said he works only to pay off his Philippine ex-wife.
When I started out as an activist, the issues were much clearer. There's advantage to the new media, but on the other hand, you miss the ability to frame an issue that you had when there were just three TV networks: CBS, NBC, and ABC. So the whole world could see the same police dogs. The same Bull Connor and his white tank. Now you've got narrow-casting. The media is all fragmented. It's so hard to get people to focus in a sustained way.
Allison Jones, a big casting director out there, was like, 'They're casting 'The Daily Show' right now - you should submit a tape.' I remember leaving school to go shoot an audition.
I'm not interested in living in a fantasy world ... All my work is still meant to evoke real architectural spaces. But what interests me is what the world would be like if we were free of conventional limits. Maybe I can show what could happen if we lived by a different set of rules.
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
There's racist casting, and there is normal casting. Normal casting, to me, is a process that strives for representation and, in many cases, strives to simply portray the world as it actually is instead of as falsely non-inclusive. And sadly, sometimes that involves removing the whitewash that exists on history.
I was at an autograph show, and there were a lot of people from TNA there doing meet and greets. One of the girls from TNA there asked me why I hadn't joined yet and I said I'd tried and it didn't work out. She asked me to give her a video and pictures, and a few days later I got asked to do a tryout.
People obsess about casting and representation, but really, all the real work is behind the camera. Casting an Asian American into a bad role where they're shoehorned into these stereotypes is worse than not having cast them at all.
I got an email from Nick [Kroll] that he and John [Mulaney] were looking to put on the stage show with two of their characters from Kroll Show and could I help at all. And they were doing it [off-Broadway] at the Cherry Lane and they had been performing it at UCB, just sort of testing it out. I worked on it for a little bit downtown and it was a great experience.
People weren't willing to bet on 'The Commercial Guy' when they were casting movies and television in the beginning, but I stuck around, and now it's slowly starting to pay off.
'Bigg Boss' changed my view of the world. Before I joined the show as its host, I was living in a bubble. I believed the real world is a happy place. 'Bigg Boss' made me realise that the world is made of all kinds of people, including some judgmental ones. It has introduced me to the real world.
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