A Quote by Tristan Thompson
If I came in and didn't rebound, that would look bad on my part. People would be wondering, what was he doing the whole time?
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I guess he was such an open, emotional vessel that I think he tapped into human nature, so it just left people wondering what would have happened. I think James Dean would be 83 today. He could be here, what would he be doing?
As an actor, if you step to the side and you look at [Thornton's performance] technically, and you try to imagine doing what he was doing, most people would panic. Most people would be on the set, and they would be panicking, going, "I'm not doing anything!" All the ham instincts in you would be screaming, "You've got to indicate something here." And it's beautiful, in a way. And so I appreciate, even as an audience member, the courage that it takes to be... frankly, to be subtle.
Just look at the list of who the lowest-paid people are. Pediatricians are at the bottom. You would also look at internists. You would look at psychiatrists. You would look at family physicians, HIV specialists. People who take care of chronic illnesses by seeing people carefully over time, those are the people who get the least money. The people who have the most are people like orthopedic surgeons, interventional cardiologists. And my point isn't that there is something wrong with heroism.
When I used to live in Chicago - went to school there for four years and lived there for two years after - the whole time, I worked at this restaurant called DMK, and people would come in, and I would wait on their tables, and they would say, 'Oh my gosh, man. You look like the dude from 'Parks and Rec.' You look like Jean-Ralphio.'
You'd think people would realize they're bad at multitasking and would quit. But a cognitive illusion sets in, fueled in part by a dopamine-adrenaline feedback loop, in which multitaskers think they are doing great.
When I was doing 'Scarface,' I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time. I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.
I think I came along at an opportune time. I don't know if that would happen anymore, because the whole way of doing business in Hollywood has changed.
Every so often I would look at my women friends who were happily married and didn't cook, and I would always find myself wondering how they did it. Would anyone love me if I couldn't cook? I always thought cooking was part of the package: Step right up, it's Rachel Samstat, she's bright, she's funny and she can cook!
I knew at the time that that wasn't the part I would be doing, they just wanted a screentest so they could have a look at it to show to the directors and producers. Then they wrote a part for me or maybe they already had it in mind, I don't know.
Human beings look separate because you see them walking about separately. But then we are so made that we can see only the present moment. If we could see the past, then of course it would look different. For there was a time when every man was part of his mother, and (earlier still) part of his father as well, and when they were part of his grandparents. If you could see humanity spread out in time, as God sees it, it would look like one single growing thing--rather like a very complicated tree. Every individual would appear connected with every other.
We are made of memories and formed by experience. I keep wondering what kind of people we would be, and what kind of world this would be, if when bad things happened we could erase them, or somehow make them sweet.
If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music.
I would find myself laughing and wondering where these ideas came from. You can call it imagination, I suppose. But I was grateful for wherever they came from.
A part of eugenic politics would finally land us in an extensive use of the lethal chamber. A great many people would have to be put out of existence simply because it wastes other people's time to look after them.
If you came from the future and you arrived here, what would you be like? Would your immune system be depressed from that travel? Would you be well? Would you be ill? Would you be affected by micro-organisms of the time period and be hiding out in a basement? How would it all work, practically?
At the beginning of 'Friends,' Matt LeBlanc was anxious. Every time he did something, he would look for approval to the director, the producers or the writers if they were around. There would be a look of: 'Am I doing this right?'
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