A Quote by Trixie Mattel

Dark comedy helped me survive. — © Trixie Mattel
Dark comedy helped me survive.
Comedy helped me out in my teenage years. It saw me through puberty and helped me to deal with dating.
I gravitate towards dark comedy, because I'm a huge fan of dark comedy. I always think the most painful thing that you can laugh at is the best.
Comedy doesn't come easy for me. I've only done 2 movies that are really comedy-style films and I have to work at them. And they're just as scary in a way. I hate labeling all these things; comedy, love stories, dark drama, whatever.
I didn't survive because I was stronger than others. I survived because my family and friends helped me to survive. They took my place. My job is to give them back their dignity, tell their story, and say their names.
To me, most comedy is dark comedy.
I would love to do a comedy, but comedy probably in the sense of a dark comedy like 'Californication,' that sort of thing. Yeah, sure, I think I'm funny.
Music and comedy, musical comedy, specifically, really helped me through my childhood. I felt out of place, I felt lots of adversity, and I felt scared all the time.
Acting helped me as I was growing up. It helped me learn about myself, helped me travel, helped me understand life, express myself, all those wonderful things. So I'm very, very grateful; it's a fun job. It's a luxury.
Neck-down comedy was no longer valid after the 1980s alternative comedy revolution. Everything became about the cerebral. And with that came positive things - it helped get rid of some of the sexism and homophobia - but it also meant a lot of physical comedy was lost.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
I do not use airplanes. They strike me as unsporting. You can have an automobile accident-and survive. You can be on a sinking ship-and survive. You can be in an earthquake, fire, volcanic eruption, tornado, what you will-and survive. But if your plane crashes, you do not survive. And I say the heck with it.
I wrote a play at drama school, which was a dark comedy - people laughed and cried. And then my script of one of the shows was picked up by a comedy sketch company... so then I had to write comedy.
I had always drawn, every day as long as I had held a pencil, and just assumed everyone else had too…Art had saved me and helped me fit in…Art was always my saving grace…Comedy didn’t come until much later for me. I’ve always tried to combine the two things, art and comedy, and couldn’t make a choice between the two. It was always my ambition to make comedy with an art-school slant, and art that could be funny instead of po-faced.
I always knew where I was going eventually, so it helped me to stay at home for three years. It helped me to develop my game. But it also helped me off the ice. Life here is way different, and I was able to get older.
Doing a film and saying, I've done a really dark film and now I have to do a comedy... That's not me. If a script comes along and it's dark I'll absolutely do it and take the consequences. I'm not fussed about the image that goes along with it.
I'd done light comedy. In some quarters, About Last Night... is a romantic comedy. So it wasn't like I'd been doing Sophie's Choice my entire career. But for whatever reason, nobody had really given me the room or the ability to be out and out funny. And Lorne [Michaels] and Mike [Myers] and Chris [Farley] and Dana [Carvey], that crop really helped me do that.
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