A Quote by Trixie Mattel

I'm always myself. Always. The only difference is that I come off as mean out of drag. — © Trixie Mattel
I'm always myself. Always. The only difference is that I come off as mean out of drag.
It's always been that I feel more masculine in drag than I do out of it. I only get called 'ma'am' out of drag and I only get called 'sir' in drag.
I always did what I thought was interesting. I always just did what caught my fantasy. Looking like a woman, that was never the criteria for me. It was always to do drag. And drag is not gender-specific. Drag is just drag. It's exaggeration.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
It's always been my dream, it's always been my vision to work as an actor in Hollywood, in drag and out of drag.
If there are people out by the bus, I'll come off the bus and sign autographs, too. I always want to be accessible. I always tell my fans, 'If I ever get on the bus and don't come off, it's because I'm under the weather or I'm really tired.'
As for the drag thing, we each do it in different ways and for different reasons. For me, it's kinda about expressing a side of myself that's always in there but usually doesn't come out. Mostly because I'm too lazy to look that good every day.
I am constantly pushing myself and my own expectations and have always found that I've always come out better for it. Fear is human nature, but turning fear into opportunity is what will make a difference. I would much rather look back at my life saying "I can't believe I did that," than, "What if I had done that?"
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
My inspirations come from everywhere. It's important to look at everything and anything. I think what I create is serious fashion, but I don't want to keep my focus on that. You have to look at a lot of different things. I mean, people are always surprised when they find out that my favorite show is 'RuPaul's Drag Race.'
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
It was like I have always had big dreams for my drag aspirations, and I talked myself into doing 'Drag Race.' I'm like, take a chance.
There are always parts of me that come out in the characters that I play - it's the only thing I have to work with and to draw off of.
I've always just done things that come naturally, and that's always been surrounding myself with artists that I respect and that are way better at what they do than at what I do. I've worked my ass off to earn the right to get a shot.
Whether I start or come off the bench makes no difference to me. My game has always been go as hard as I can as long as I can
Drag will always be a dynamic and powerful art form, and it is my duty now to honor the artists who have come before me while continuing to pioneer my own path and history by being open to growth and change as a human and a drag superstar.
Even now if I see someone working out, in great shape, like a 40-year-old guy with his shirt off jogging I always think, "Look at that idiot." That's why everyone in my movie is kind of goofy because I'm a champion of the goofball. What sucks is I have to work out now not to die. I was always happy not working out because I never wanted to be someone who worked out to look good, but now I have to try to not die, which is such a drag.
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