A Quote by Trixie Mattel
As a kid, I wasn't allowed to have girl toys, but I would take my cousin's My Little Pony and smell it. That weird, synthetic, fruity-sweet smell - that's how I wanted to look. I wanted to look like this fabricated toy. I wanted to look like you could pull a string on my back, and I would say, like, six catchphrases.
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I had that laser focus, identified what I wanted when I was a kid, and never let anything get in my way. If you look on paper at who I am and what I sound like, and what I look like, you wouldn't say, 'Go into broadcasting.' It's just what I wanted to do - I knew that I could do it, and I never let anyone tell me that I couldn't.
I grew up in Wisconsin. It's not like growing up in New York or L.A., where you know somebody's cousin who does this. It was in the back of my mind, but I would never say that I wanted to be an actor, but as I look back, I was in every play I could possibly be in.
I'm a film guy. I love it. When I read the screenplay, I knew that there would be no HD camera that could achieve the look that I wanted for this film. I wanted it to be dirty, and 16mm provides all of that with the look and the grain. That's what I worked for, and that's what I wanted, and that's how I'd seen the movie in my mind.
He would not let her go. Even though, staring into her open eyes in the swirling salt-filled water, with sun flashing though each wave, he thought he would like this moment to be forever: the dark-haired woman on shore calling for their safety, the girl who had once jumped rope like a queen, now holding him with a fierceness that matched the power of the ocean—oh, insane, ludicrous, unknowable world! Look how she wanted to live, look how she wanted to hold on.
I wanted to hear what she was saying. I wanted to smell that burnt midnight again, I wanted to feel that wind. It was a secret wanting, like a song I couldn't stop humming, or loving someone I could never have. No matter where I went, my compass pointed west. I would always know what time it was in California.
I look at other people's lives, and some people feel like they're too old to play with toys. But I still go through the toy section at the store, 'cause there were toys that I wanted when I was little that I couldn't have. So I still get them.
The way I need to look, it's a very personal thing. When I started experimenting, it was to make myself feel happy, to look in the mirror and be satisfied. I never did drag or anything like that. It was always that I wanted to be pretty, to look beautiful, as a girl would want to.
When I grew up, you wanted to look like Marlene Dietrich, Betty Grable. Fortunately, I didn't know that I really wanted to look like Lena Horne. When I grew up... black stars were stigmatized. Nobody wanted to look like Lena Horne.
I wanted little kids in Brazil to look at me like I used to look at Roberto Carlos. I wanted them to start growing their hair out because of Marcelo, you know?
As a matter of fact they'd blacken us down. I guess there's a reason that according to what the Caucasian wanted us to look like. He wanted us to look-if we were Black, then he had his idea of what we look like.
I was always telling girls who said that they wanted to be the 'next' Kate Moss or the 'next' Gisele that it wasn't possible, because the 'next' girl wasn't going to look like anybody else; she would be somebody unique. If you look at all the great models... they all have an individual look.
She could smell the boy spice beneath the thrift-store aroma of his jacket, and the rubbing and the smell began to work to soften her -- like butter before you add sugar, in the first steps of making something sweet. It was her first experience of how bodies could meld together, how breath could slip naturally into rhythm. It was hypnotic. Heady. And she wanted more.
There is something really mysterious about lions. They could rip you apart if they wanted to, but at the same time they look so cuddly. Can you imagine what humans look like to animals? They must think we're so weird.
I didn't write my speech until the night before, and even then I refused to write it out like I would say it, preferring to keep cribbed notes I could come back to if necessary. I wanted this to feel like a conversation because it was what I wanted to say that mattered, not how it looked on paper.
I want you to know who I am: what the streets taste like, feel like, smell like. What the cops talk like, walk like, think like. What crackheads do - I wanted you to smell it, feel it. It was important to me that I told the story that way because I thought that it wouldn't be told if I didn't tell it.
My cousin Joe was just the coolest kid and I wanted to be like him. He had girls, could do whatever he wanted and he was a bricklayer, so I decided to do that.
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