A Quote by Trixie Mattel
I grew up playing guitar in the late Nineties, early 2000s, so a very acoustic-driven pop-rock era, and then in college, I started listening to Jason Isbell and Kacey Musgraves. Then I really fell in love when I discovered really old country, like June Carter Cash - one of my all-time favorites.
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I started playing guitar at the age of 8 or 9 years. Very early, and I was like already into pop music and was just trying to copy what I heard on the radio. And at a very early age I started experimenting with old tape recorders from my parents. I was 11 or 12 at that time and then when I was like 14 or 15 I had a punk band. I made all the classic rock musician's evolutions and then in the early nineties I bought my first sampler and that is how I got into electronic music, because I was able to produce it on my own. That was quite a relief.
I started playing bluegrass with my family, so there were the G, C and D chords. I was playing a Martin acoustic because that's what Carter Stanley of the Stanley Brothers played. Then I got into the really raw blues of Hound Dog Taylor and started on electric guitar.
When I was nine years old, I started playing guitar, and I took classical guitar lessons and studied music theory. And played jazz for a while. And then when I was around fourteen years old, I discovered punk rock. And so I then tried to unlearn everything I had learned in classical music and jazz so I could play in punk rock bands.
It took me a while to get an electric guitar and a bass and amps and stuff. Playing the acoustic guitar was much easier and more affordable. But I was always listening to the radio and was interested in all the rock and pop music.
I grew up with rock and pop music from the 70s and 80s. I had to play guitar in school - it was a music college and we had to take instrument classes there - so I think guitar playing and guitar sounds have always been an influence.
If you listen to all of my records, they all have a little part of me. So there's a part of me that's very bluegrass-y, and incredibly country, because I grew up on a farm in Missouri - I grew up singing country music. I started in bluegrass - but then there's also so many other sides of me - really pop.
I grew up on Wu-Tang and Tribe and Nas, all the raw, very New York-driven music. Then when I got older - in my late teens, early twenties - and that's when I started to listen to Drake and J. Cole, and so it wasn't just East-coast.
I grew up in the Midwest and never really felt at home there, and when I got to New York, I was really fearless. I feel like I really fell in love with the the place. But then, it's a place where your world is really big at first and then becomes really small. I found myself hardly leaving my neighborhood, like I made it into a small town.
I love jazz and pop rock and country. I grew up listening to Michael Jackson, Whitney Houston, Def Leppard, AC/DC, Anne Murray - if I hear something really great... I want to be a part of it.
I love jazz and pop rock and country. I grew up listening to Michael Jackson, Whitney Houston, Def Leppard, AC/DC, Anne Murray - if I hear something really great I want to be a part of it.
I don't really listen to pop-country, but I like really, really old country that's closer to folk. Like Johnny Cash, who is considered country.
I was in bands all through my youth. Things started out more acoustic and then piano ballads. Then R&B followed by sappy pop music and then rock, punk and heavy metal.
I learned tabla for three years when in school, then started picking up the basics of the acoustic guitar when in college.
I guess, like, I've always listened to rap, and I remember I specifically started listening to, like, pop-rap when I was, like, 11, you know, like Shaggy. I love Shaggy. And then I discovered, like, underground rap when I got to high school, and really, that's when it kind of blossomed. I don't feel like my love for rap blossomed off of Shaggy.
As a performing group, the Beatles began by playing old rock favorites, for dancing, to tough audiences in Liverpool and Hamburg. When they began writing seriously, they discovered that they couldn't compose in the early American rock tradition.
After months of playing air guitar to 'Free Bird', what really got me into guitar was watching a documentary about Jimi Hendrix and picking up the Woodstock soundtrack. Listening to his version of 'Star Spangled Banner' and 'Purple Haze.' My brother played acoustic guitar and, idolising him, I thought, 'I'm going to get a guitar.'
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