A Quote by Trixie Mattel
People don't realize 'Drag Race' is a certain percent competition, but it's also a game show. There's a certain amount of throwing dice and spinning wheels, and there are twists and turns all the time. Part of it is also having the right idea and pulling the right look together that day. We're all making choices in the moment.
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A beautiful deleveraging balances the three options. In other words, there is a certain amount of austerity, there is a certain amount of debt restructuring, and there is a certain amount of printing of money. When done in the right mix, it isn't dramatic.
In the days when the spinning wheels hummed busily in the farmhouses--and even great ladies, clothed in silk and thread lace, had their toy spinning wheels of polished oak--there might be seen, in districts far away among the lanes, or deep in the bosom of the hills, certain palled undersized men who, by the side of the brawny country-folk, looked like the remnants of a disinherited race.
This leads to a question - if a great many people are for a certain project, is it necessarily right? If the vast majority is for it, is it even more certainly right? This, to be sure, is one of the tricky points of democracy. The minority often turns out to be right, and though one believes in the efficacy of the democratic process, one has also to recognize that the demand of the many for a particular project at a particular time may mean only disaster.
This lifetime right now you have a specific destiny. You are destined to die at a certain time, to make a certain amount of money, to have certain associations and friendships.
Listen - we party, we have fun, we live life to the fullest. But we're also professional, we also wake up every day and stay on time for our meetings and we also have a structure and a certain structure and a certain substance behind the brand. It's not just luck.
Every mind has its particular standard of good and bad, and of right and wrong. This standard is made by what one has experienced through life, by what one has seen or heard; it also depends upon one's belief in a certain religion, one's birth in a certain nation and origin in a certain race. But what can really be called good or bad, right or wrong, is what comforts the mind and what causes it discomfort. It is not true, although it appears so, that it is discomfort that causes wrongdoing. In reality, it is wrongdoing which causes discomfort, and it is right-doing which gives comfort.
It takes a certain amount of time and faith to accept or to realize that there is no difference between Him and His name, to get to the point where you're no longer mystified by where He is. You know, like, "Is He around here?" You realize after some time, "Here He is - right here!" It's a matter of practice.
We praise a man who feels angry on the right grounds and against the right persons and also in the right manner at the right moment and for the right length of time.
To a certain degree, with a TV show, people are looking for a certain amount of familiarity. You don't want to pull the rug out, but you also want to keep things fresh and keep changing it up.
When I was on 'Drag Race,' it felt like a serious competition going on between drag queens... and then Katya and I were also there.
The idea of having dinner together every day with your family removes the pressure from trying to explain everything. You tell us the good parts about your day, but you also tell us the bad parts about your day. And at the end of that, because you're in a ritual, you remove the pressure of admitting you had a failure that day. And it also takes the wind out of having a great day. I mean, it makes you a little bit more normal all the time. That moment of therapeutic sharing is something that happens in food, that doesn't necessarily happen when you're watching TV.
Making this movie as a period piece about a period that was very recent in people's minds. I was in Taiwan [during the 1970s], so I hope I did all right. Otherwise, it could be the biggest embarrassment of my life. Also, the story is not linear, it's patchy, like a cubist painting, and there is always the possibility it will not hold together, it will fall apart. The tone is part satire, part serious drama, part tragedy, all mixed together, and it has to hit an emotional core. That's also very scary.
Selling cookies helped me to realize that you needed to have a certain way to communicate with people. You also needed business skills. You knew you needed to sell a certain amount of boxes, so that gave me some business sense.
We just worked hard to not just get things right and authentic, but also to make it consistent and visually right. For instance, there are colours that aren't in the film that would have been there in reality. I think part of the look of the film not only has to do with the way it's shot and lit, but also the lack of certain colours that give it a softness which really suits it because there's more focus on the characters. For instance, there's no yellow at all until we get to Miss Stubbs' flat at the very end.
There was a time when the FCC tried to require a certain amount of television and media to be educational, a certain amount to be newsworthy and a certain amount of it to be public access.
This whole idea of editing, not one time I can tell you, not one time has a producer ever asked me to say something I did not want to say. I will also say this about 'Drag Race' producers: I will stand by the show and the people there because they have changed so many people's lives for the better, and I'm one of them.
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