A Quote by Trixie Mattel

When I'm in drag, I don't always want to be spoken to, but I love being looked at. Nobody puts that much work into how they look to be ignored. — © Trixie Mattel
When I'm in drag, I don't always want to be spoken to, but I love being looked at. Nobody puts that much work into how they look to be ignored.
I spent a great deal of my life being ignored. I was always very happy that way. Being ignored is a great privilege. That is how I think I learned to see what others do not see and to react to situations differently. I simply looked at the world, not really prepared for anything.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
To me, drag is about doing whatever you want, and nobody says anything. And 'Drag Race' is about doing what you're told and having it evaluated. I hate being judged.
The way I've always looked at drag has been a little bit different maybe than other people because the drag community that I started doing drag in is full of trans people and women and people of various educational backgrounds, of different ages.
For me, drag has always been about being someone younger kids can look up to, or even older kids can look up to as well, and I want to continue to tour and travel and entertain.
I'm always taking into consideration how the shoe will look on the foot, its relation to the ankle and the leg - that's very important. I often see shoes that seem interesting or nice until a woman puts them on. then a lot of shoes look very clunky, and nobody likes to see that.
I love words very much. I've always loved to talk, and I've always love words — the words that rest in your mouth, what words mean and how you taste them and so on. And for me the spoken word can be used almost as a gesture.
I don't even know in American educational history classes how much of D-Day, World War II, all of that is taught versus how much of it is just ignored or looked back on with mockery or insincerity or what have you. But it was one of the most crucially important events in all of human history in terms of the preservation of freedom and liberty and the notion of democracy and things associated with it.
I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.
I try to be true to myself yet still at the same time look at comments and look at what the fans have to say and kind of put it in perspective. I'm never someone whose not open for opinion, I'm always just down to make it work and see how we can do things but at the end of the day I always want to make sure it represents me. It's really about just being humble and not selling yourself on being there already.
Drag really isn't just about exaggerating and celebrating femininity. Some drag queens want to look like monsters, some drag queens want to look like hot dogs. Really what it is is just dipping your toes in all the swimming pools of identity and allowing yourself. Because society really tries to compartmentalize humans in a certain way.
I very much treat my stage persona of Jinkx as a character I've created. Some drag artists do a look-based glamour act, and when they talk they're mostly just being themselves. In my case it's not Jinkx the drag queen, it's Jerrick Hoffer as Jinkx Monsoon.
People will pay for great services. They said they wouldn't pay 99 cents for a song but they did. We've always believed that. When you go to work, you don't work for free; nobody works for free. Nobody can say, "I want to work for free." Nobody says that.
In my early career I was sort of anti-drag. I said, 'Drag is dumb and boring, and I want to be an effing weirdo and go crazy and rebel.' But now it's like I've come to respect and understand how deep and traditional drag as an art form is.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
At the end of the day it's about how much you can bear, how much you can endure. Being together, we harm nobody; being apart, we extinguish ourselves.
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