A Quote by Trombone Shorty

We're not really trying to do anything besides represent where we come from, and that's New Orleans. — © Trombone Shorty
We're not really trying to do anything besides represent where we come from, and that's New Orleans.
It's time for us to come together. It's time for us to rebuild New Orleans - the one that should be a chocolate New Orleans. This city will be a majority African American city. It's the way God wants it to be. You can't have New Orleans no other way. It wouldn't be New Orleans.
In America, there might be better gastronomic destinations than New Orleans, but there is no place more uniquely wonderful. ... With the best restaurants in New York, you'll find something similar to it in Paris or Copenhagen or Chicago. But there is no place like New Orleans. So it's a must-see city because there's no explaining it, no describing it. You can't compare it to anything. So, far and away New Orleans.
Everywhere I go around the world, we have fans of New Orleans. Sometimes we go places, and people don't really know who we are, but they know New Orleans, and once we say we are from New Orleans, we have a lot of supporters.
I took many trips down to New Orleans trying to experience the city as deeply as possible. I'm from Detroit so New Orleans seemed very exotic to me.
I really wanted to give people that tool, that thing, that answer, 'Well, what are you going to do after Katrina? How does New Orleans come back?' And I'm thinking to myself, New Orleans is back. We're the definition of 'back.' We're the definition of 'rebirth,' of 'renaissance.'
One of the most special things about the city of New Orleans is how diverse a people we really are. There's been a new generation of individuals that have all grown up together, so I don't really see myself as a White mayor. I've never seen New Orleans as a Black city.
I'm not from New Orleans, never knew anything about New Orleans.
I'd advise you to visit New Orleans before you pass away. I really would. Because if you die without seeing New Orleans, you wasted half your life.
I come to New Orleans so often that, one day soon, someone's going to declare me a native. I love the food. I love the music. I serve on the board of the New Orleans Jazz Orchestra.
Essence is something I always enjoy, because I love New Orleans. Since they brought it back to New Orleans, it's a special place to me. We been doing it since the beginning. We did it when it was in Houston, but there's nothing like New Orleans.
Pensacola isn't Florida, really. It's the Panhandle. It's right up there near Alabama and Louisiana. It's, like, a stroll away from New Orleans. I feel like New Orleans is home.
There's also the tradition of voodoo, the Haitian magic arts, in New Orleans. And because New Orleans is below sea level, when they bury people in New Orleans, it's mostly above ground. So you have this idea that the spirits are more accessible and can access you more easily because they're not even buried.
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
Jazz came out of New Orleans, and that was the forerunner of everything. You mix jazz with European rhythms, and that's rock n' roll, really. You can make the argument that it all started on the streets of New Orleans with the jazz funerals.
New Orleans could not be further removed from where I am from. I come from Holland, where everything is perfectly arranged - it's neat; there's no real crime. There's a very strong middle class. Then you get dumped in New Orleans - just the funkiest city, crazy problems, but also street culture unlike anywhere in the States.
In New Orleans, bounce music was prevalent. That was all they wanted to hear. It was new and trendy, and it was hot, and it was taking off. Artists were coming out of everywhere. They did some great songs, some really catchy, fun songs. That was just the feel of New Orleans music.
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