A Quote by Trombone Shorty

I listen to Nine Inch Nails, Green Day, U2, and it becomes part of me, comes out in my music. Wherever it goes, there will always be the fabric of New Orleans in it. — © Trombone Shorty
I listen to Nine Inch Nails, Green Day, U2, and it becomes part of me, comes out in my music. Wherever it goes, there will always be the fabric of New Orleans in it.
With Nine Inch Nails, it's all Trent Reznor. So when we get a new record from Nine Inch Nails, it depends on what side of the bed Trent's waking up on and what he's been eating lately and what he's been into. Because he's preparing the whole meal.
Nine Inch Nails were the best and most popular industrial band of all time; as a consequence, industrial purists usually assert that Nine Inch Nails aren't an industrial band at all (this is a counterintuitive phenomenon that tends to occur with purists from all subcultures, musical or otherwise).
I listen to music every day and that is a fact. My son pointed out the other day that there's not a day that goes by without him listening to music in our house. I'm still an avid punter when it comes to either checking out bands or buying new music.
I think Nine Inch Nails was a really big one for me, when I was 18. They really inspired me to start making my own music.
I've always liked the heavier stuff. I've always loved Tool and System of a Down, Korn and Nine Inch Nails.
I come to New Orleans so often that, one day soon, someone's going to declare me a native. I love the food. I love the music. I serve on the board of the New Orleans Jazz Orchestra.
Throughout my years in From First to Last, I was always dabbling and making electronic music on my own time. The first records I ever owned were crossover electronic rock, like Prodigy, Marilyn Manson and Nine Inch Nails.
I've always been in love with that Delta-flavored music the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
I've always been in love with that Delta-flavored music... the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
New Orleans will always be in my heart. New Orleans raised me - it's in my blood.
When I am introduced as someone from New Orleans, people sometimes say: "I'm so sorry." New Orleans. I'm so sorry. That's not the way it was before,not the way it's supposed to be. When people find out you're from New Orleans, they're supposed to tell you about how they got drunk there once, or fell in love there, or first heard the music there that changed their lives. At worst people would say: "I've always wanted to go there." But now, it's just: "I'm sorry." Man, that kills me. That just kills me.
Essence is something I always enjoy, because I love New Orleans. Since they brought it back to New Orleans, it's a special place to me. We been doing it since the beginning. We did it when it was in Houston, but there's nothing like New Orleans.
It probably wasn't until Nine Inch Nails played the first Lollapalooza that I actually went to a festival.
As a producer, I'm trying to challenge myself to just make something that is of a professional quality - not necessarily pop music, but maybe in the sense that Nine Inch Nails is professional quality.
In New Orleans, bounce music was prevalent. That was all they wanted to hear. It was new and trendy, and it was hot, and it was taking off. Artists were coming out of everywhere. They did some great songs, some really catchy, fun songs. That was just the feel of New Orleans music.
I love James Taylor, Jeff Buckley, Elliott Smith and Nine Inch Nails.
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