A Quote by Trombone Shorty

It doesn't matter where we are. We can be marching down the streets of New Orleans, or we can be onstage in front of 15,000 people. As long as I know that I'm about to put my horn to my mouth and play some notes, that's what I most look forward to.
I love to write honest songs that name real people, then get up onstage and live out those emotions in front of 15,000 people.
You know what's amazing to me? America. There have been so many people who have stepped up, and I'm just proud to be an American. Yeah, there were some mistakes made, but I don't play the blame game. Let's move forward and rebuild New Orleans.
Man, I was scared. I didn't know what to think. All of a sudden, I got a record climbing the charts, and I'm out in the streets. You know, workin' on the docks. And the first week, it sold something like 40,000 in New Orleans.
I didn't do the marching down the streets, jumping in front of the lines and holding hands... that wasn't me.
Stand on the stage in front of 15 people or 15,000. Have them look up to you and tell you how wonderful you are, and if you don't think that's a great feeling, okay, then you're unlike me.
People don't play music in New Orleans for the reasons they do in Nashville or L.A. - to become stars or to get rich - they play because they've got to. It's in the streets, in their family, in their blood.
In New Orleans, where I'm from, the average household income, with two working parents, two kids, a dog and a little fence is $16,000 a year, so $15,000 for a movie sounds pretty good.
Everywhere I go around the world, we have fans of New Orleans. Sometimes we go places, and people don't really know who we are, but they know New Orleans, and once we say we are from New Orleans, we have a lot of supporters.
The New York that Frank Sinatra sang about, people will never know that place. The New Orleans that Louis Armstrong sang about is the New Orleans that's still there - it's preserved.
I had a really good time in New Orleans, although I had some very tragic times in Baton Rouge. Some guys beat me up and threw my horn away. 'Cause I had a beard, then, and long hair like the Beatles.
As soon as I was born, my mom said I was humming 'When the Saints Go Marching In,' or something like that, you know? It's in the family. And in that neighborhood [Treme, in New Orleans], I think everybody in the neighborhood has some type of musical influence, even if they don't play instruments or anything. It's the way they talk to you, the way they say your name - it's all musical.
I've been in some beautiful places, but the prettiest sight is flying back to New Orleans. Being able to look down and say, 'I know where I am now.'
I always said put me in front of 40 or 50,000 people and play hockey, I'm comfortable there. Put me in front of 50 people to talk or get in front of, and that's where I'm probably the least comfortable.
You play a certain way for so long, and change is good. So I look forward to change, and I look forward to playing with the proper talent that we were able to put together.
I'd rather hold one note for an hour and modulate it so that it means something than play 3,000 notes in 15 seconds.
Put one foot in front of the other. Keep marching forward, even when doubt, fear, and failure all come knocking at your door.
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