A Quote by Troy Aikman

Whenever anybody has talked about concussions, they immediately talk about me and Steve Young. — © Troy Aikman
Whenever anybody has talked about concussions, they immediately talk about me and Steve Young.
For me, I've never talked about my private life. It's always been about Black Sabbath. It's strange to open up and talk about me as a young lad, my relationships, marriages and what not.
When there is talk about the best point guards, sometimes they dont talk about me. But that is not my main motivation. They can talk about Jason Kidd, Steve Nash, Deron Williams, and Chris Paul. I still have the most rings.
The more studies that come out that talk about concussions and so forth, it makes me wonder. I wonder, more importantly than the stroke, the impact that concussions have had on my life, particularly as I get older.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
I wanted to be successful enough that I'd have opportunities to talk about the church. I wanted people to listen whenever I talked about it.
We [me and Jennifer Salke] talked about the characters and different kinds of families and where are we today. We certainly pitched the gay couple, but we also talked about what it was like to be a single mother with a young daughter, what is it like to be a woman in your 50's who is completely starting over and dating again and having to go online to date again. We talked about the whole spectrum of the characters, but I don't think it ever came up about whether people are ready for it or not.
On one hand, I think it's very important to talk about race and talk about gender, because if it's not talked about, then we won't progress. What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
When I began to think deeply about the metaphysics of love I talked with everyone around me about it. I talked to large audiences and even had wee one-on-one conversations with children about the way they think about love. I talked about love in every state, everywhere I traveled.
I'm very happy that whenever we talk about Bengali cinema anywhere in India, people talk about me with a lot of respect.
When we talked, I talked about me, you talked about you, when we should have talked about each other.
Sometimes that irrational commitment to principle is what society needs to survive. Whenever you talk about radicalism, whenever you talk about activism, whenever you talk about progressive activity, that sort of moves the measure of liberty in human society forward, makes us all enjoy a better standard of liberty, it typically starts out criminal. It typically starts out a little bit shaky, and rather radical. And that's irrational to put yourself up to do that.
I know that it is impossible to talk about my work. And since it's impossible for me or anybody else to talk about my work, I feel I might as well talk about it.
I have never, ever talked about my orientation or sexuality because whether I am heterosexual, homosexual, bisexual, asexual, it is my concern. I refuse to talk about it... I have not been brought up to talk about my sex life.
I was raised by a black maid by the name of Ida Young and I probably talked to her more than anybody, so whatever is nutty about me was nutty about her, too, I think because I saw a lot more of her than I did of my parents.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
As far as anybody in the rap game ever tryin to assassinate my character, thats impossible. You talkin about a man who has always walked the walk and talked the talk.
This site uses cookies to ensure you get the best experience. More info...
Got it!