A Quote by Troy Brown

I could jump, I was quick, I could catch and all those types of things, but when it came to just flat out speed, that's something I had to work really hard at. — © Troy Brown
I could jump, I was quick, I could catch and all those types of things, but when it came to just flat out speed, that's something I had to work really hard at.
I'm living in L.A., which is hard to get around. I live way out in the suburbs, it's hard for me to get to town. You get five minutes here, then you gotta drive a half hour to the next one. New York was so much easier for standup because you could hit five clubs in a night. Just jump in a cab, pop. Boom, boom, boom. And you could walk to some of 'em, and work out stuff on the way. You can really get some more traction out there. You could work new material easier out there, I thought.
The band that changed my life was The Who. It's hard to pick just one album, but if I had to pick the one that really showed me how things could be done, it's 'The Who Sell Out.' They really went to town on that, doing something that no one had ever done before.
I'm very much disciplined because I'm more mature. When I was young I just wanted to live, I could jump, I could run, I was quick and I was relentless.
When I was in my teens, I thought, 'Would I like to try and work hard at being an actor, or do I want to work hard at doing something musical?' Acting won out, but I do really enjoy those moments where I get to just belt something out.
I don't know what position Scottie was; he was just a basketball player. He could dribble, shoot, pass and rebound. Defensively, he was excellent. He had quick hands and quick feet with a great understanding of the game. He could do it all.
I would just love to do something where I'd have to train and work really hard and do one of those types of action movies, which a lot of women are doing now
I would just love to do something where I'd have to train and work really hard and do one of those types of action movies, which a lot of women are doing now.
I lived in L.A., and the possibility out there is endless. I could've done reality TV! It was offered to me plenty of times. But that just wasn't where my heart was. If I wanted quick fame or quick money, I could've taken that route, but it just wasn't settling right with me.
You can't do things for money. You just can't act them. There's gotta be something about the script that you really want to do. I wouldn't do a job if I didn't think I could do the best work I possibly could.
Let me tell you something. As we were walking around in the store, Marilyn and I were just really impressed by all the novelties and the different types of little things that you could get for Christmas. And all the people that would help you, they were dressed up in things that said 'I believe in Santa Claus.' And the only thing that I could think is that I believe in George Bush.
He could rush the passer, he could bull you, he could beat you speed inside and quickness. Those are long days when you had Michael Strahan lining up right over your head for 60 minutes, because most defensive ends are good at one or the other. Michael was really good at both.
Television is hard work. It's all hard work. Theatre is hard work. I tell you, I have bruises from changing backstage. Those quick changes are really difficult.
My mom had bought this camera to take classes herself and I remember working with her on it, understanding how the stop-motion [worked], having a high shutter speed and things like that. Long before I picked it up myself, I remember being on a slide at a country club going into the water and wanting my mother to put in on a high shutter speed so she could catch me on the slide without it being blurred. I remember having fun with her: "Let me go on the slide and you'll catch me in motion!" Those are some of the little moments in my artistic making.
You could be a victim, you could be a hero, you could be a villain, or you could be a fugitive. But you could not just stand by. If you were in Europe between 1933 and 1945, you had to be something.
With reporting, if you work hard, you can usually pull something out. But writing humor doesn't respond to working hard, necessarily. I mean, you could just sit there and look at the page all day and maybe something will come.
I figured out that I could think of my childhood dog that had died, and I could bring myself to tears. So I used that poor dead dog for several years until it just didn't work anymore, and I had to find something else.
This site uses cookies to ensure you get the best experience. More info...
Got it!