A Quote by Troy Carter

What I like about Bre.ad is the simplicity of it. When you can explain it to people, like 'five-second billboards in front of a link shortener,' it makes a lot of sense.
I like when I tweet about Tony Hawk. A lot of times, people think it's true; like, I've tweeted about having lunch with him a lot, and people are like, 'Oh, how was he?' or, like, 'Do you have a pic?' I don't know how to explain it. He's right at the level where people could almost believe it, but it's also a really weird pairing.
Generally, there's a lot of ad-lib involved with live TV and things like that, whereas with acting in front of the camera, it was, if you screwed up a line, well, you've got another take, and you also had a script to be able to study, so it wasn't all ad-lib and flying by the seat of your pants, which I like both aspects, actually.
There's a real passing down in the theater, almost ad nauseam. You have to listen to older people talk about their experience, but it makes you very aware of what has come before you or what is coming after you - that you're a part of a link in a chain. It's not all about you.
According to one critic, my works looked like scraped billboards. I went to look at the billboards and decided that more billboards should be scraped.
Marketing is selling an ad to a firm. So, in some sense, a lot of marketing is about convincing a CEO, 'This is a good ad campaign.' So, there is a little bit of slippage there. That's just a caveat. That's different from actually having an effective ad campaign.
I hate it when people try to explain music. The best thing about music is that it's invisible. If you make a song and someone is like, 'Explain it,' and you explain the message, it's like - poof. It all crashes down.
The street is the most impactful for me really, always, and the Internet. I guess I'd like to sell some more light pieces so I can rent some more billboards; that's my only ambition in life really. Then I'd like to save up some money so I can buy a very simple wooden house, and then after that I'd like to start buying billboards. I'd like to buy a bunch of billboards in different cities so we owned them and I could give them to Occupy to tell the truth with.
Can't nobody do what Fetty Wap does. So when I go to the studio, it may be four to five hours max, probably three days out the week. I used to go to the studio for 10 to 15 hours, and I would do five to 10 songs. Now I go for four to five hours and I do, like, 15 to 20 songs. I'm an ad lib guy. Most people know me for my ad libs.
If you interview five people about the same incident, and you see five different points of view, it makes you know what makes history so complicated. Something doesn't just occur. It's not like a scientific event. It's a human event. So the dimensions of it will be seen differently by different people.
I don't like crazy names. I don't like them. I don't think it makes any sense. You have to think about the child and, as they get older, what they have to deal with. A lot of people do things as a fad, and they want to get some attention, but it's like, this is your child.
I'm more comfortable performing in front of 50,000 people than five people - it's easier. When there's that many people, I feel like I'm alone. When I perform in front of only a few people, it's scary.
Death and disaster are at our shoulders every second of our lives, trying to get at us. Missing, a lot of the time. A lot of miles on the motorway without a front wheel blow-out. A lot of viruses that slither through our bodies without snagging. A lot of pianos that fall a minute after we've passed. Or a month, it makes no difference. So unless we're going to get down on our knees and give thanks every time disaster misses, it makes no sense to moan when it strikes.
I really like gratuitous nudity. I hate when people go, 'I'll only do it if it makes sense for the movie'. It never makes sense. So I like it - the more gratuitous the better.
People often expect that I should know a lot of things because I'm black. I don't really explain it to people, but it's like, I'm from Australia, my Mum's Aussie, and I grew up with five other Aussie brothers and sisters.
I love to dance. But I don't like being up in front of tons of people. I didn't have that in me to do it, the desire to be performing in front of a lot of people. If there's a lot of people on a set, I get nervous. So music just wasn't something I ever seriously considered.
Ask someone you'd like to know to list five people they would most like to meet. It will tell you a lot about them.
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