A Quote by Troy Carter
I think, as an industry, we should be supportive of a broad subscription model and not do anything to jeopardize the potential health of the music business - because we're not out of the woods yet.
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The subscription model of buying music is bankrupt. I think you could make available the Second Coming in a subscription model and it might not be successful.
There's this notion out there - and it's a categorically false notion - that the only business model in the service industry is the minimum-wage business model. I say phooey to that. You go to a Costco store, and you see people there who've been working there for years and years. They're making $15, $20 an hour, plus health benefits.
When you talk about a 'broad-based business tax,' that's a pretty broad term. I don't know what that means. But it's not something I would be supportive of.
The old model of the industry was founded largely upon business folk trying to make money off artists. At EMP, we let the music make the money, not the other way around. We have flipped the model to make the artistry be at the forefront of everything we do. Music makes the business and that's what makes it work.
YouTube has proven it can flourish in a model where there is more autonomy, and in that way I think it is an example and a potential model for other areas of the business.
We don't have a business model for health care in this country, We just have a business model for care. The way doctors and hospitals get paid is something bad has got to happen. It's a pure reactive model.
Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role.
I warn the industry, they shouldn't underestimate the fact that Rob and Fab still have a lot of fans. And they should try to forgive us. Because we weren't bad for the music industry. We changed the music industry.
I think it's a waste of time to worry about the motives of why people are supportive of things. I think we should look at the thing itself. And if they're supportive of something that's sexist or racist, then it's a bad thing, but it's not because they're supportive of it that it's a bad thing.
Of course it is of no use to direct our steps to the woods, if they do not carry us thither. I am alarmed when it happens that I have walked a mile into the woods bodily, without getting there in spirit.... What business have I in the woods, if I am thinking of something out of the woods?
I'm not saying you can't be successful in the music industry without Spotify. But when I look at the future of music, I don't think scarcity is the model anymore. We have to embrace ubiquity - that music is everywhere.
The same products, services or technologies can fail or succeed depending on the business model you choose. Exploring the possibilities is critical to finding a successful business model. Settling on first ideas risks the possibility of missing potential that can only be discovered by prototyping and testing different alternatives.
I think this industry can be tough on everyone. You have to surround yourself with supportive people and know when to put your foot down and do what's best for you and your family. The first few years in the music industry can be a steep learning curve, and I've definitely developed a thicker skin!
Who benefits from Wi-Fi? We all benefit from Wi-Fi. Is there an industry here? Of course, there is an industry, as well. The point is public health needs protecting. I don't think you should have to prove that there is some profiteer who might have an ulterior motive in order to protect public health.
I think the [music] industry really suffered from music being available online because it made young people feel, "why should you pay for music, if it's so readily available for free?"
I do feel like I owe something, but not to the industry. When you say "industry," I think of a group of people who don't really care much about you and treat you as a commodity. So, in that regard, I don't feel like I owe anything. But the people who've always been supportive of me and have always seen me for my greatest potential-those are the people who I feel like I owe something to. I feel like I am their voice. I owe it them to represent them in a way that they can be proud of.
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