A Quote by Troy Carter

When I started Atom Factory, the idea was to do something small yet powerful. That name resonated with the mission. — © Troy Carter
When I started Atom Factory, the idea was to do something small yet powerful. That name resonated with the mission.
When we first started Fear factory, we asked ourselves what Fear Factory means, it was a cool name, but what did it mean? We obviously embraced the technological side of a factory, as a factory can be anything from something that insights fear, like a government machine, to something of futuristic technology, or it could be religion. So we embraced the technological side of it back in the early days.
Out of this idea of separation between atom and atom comes all misery.
Being the son of a women's shoe factory owner, 'Kinky Boots' resonated with me on so many different levels.
Facebook was a very big mission; it really knocked it out of the universe. It's pretty hard to focus on a small idea after that. You really have to be working on something that you believe will be of similar impact.
When I look at Kickstarter, I see small businesses that have been funded by their customers. I see the acceleration of this shift away from the industrial manufacturing ideology to more of a maker economy. And I also see an idea so powerful that the company name has become a verb.
[The director's idea for the film was:] A young American or English girl goes to Tuscany to visit English expatriates. She is on a mission to lose her virginity. That's a mission easily accomplished, if that's the only mission. The story had to be more complicated than that. Because there is so little happening dramatically, there had to be something to keep you curious.
I have a general sense of mission, and I intuitively know when something is influencing that mission. I think this is what I'm supposed to be doing. Doors keep opening. In the end, it's the best use of my skills. I've finally consented to the idea that I'm an artist.
I was looking for some way to put my music to some service on a nightly basis. You go into a town, you play a little music, you leave something behind. That idea connected us to the local community. It was a very simple idea, but it really resonated with me.
Poetry is perhaps the oldest art form. We can go back to an age-old idea of naming things, the Adamic impulse - to give something a name has always been an immensely powerful thing. To name something is to own it, to capture it. A poem is still a kind of spell, an incantation. Historically, a poem also invoked: it was a blessing, or a curse, or a charm. It had a motile power, was able to summon something into being. A poem is a special kind of speech-act. In a good poem there's the trance-like effect of language in its most concentrated, naked form.
Rastafarianism and reggae music have always kind of resonated with me. Those ideas of redemption, liberation and overcoming oppression through music, weed and community. Fighting evil through love and music, I think it's just a really powerful idea.
When I started writing, I didn't have the common sense to use a pseudonym, so I write under my own name. If I did have a pen name, though, it would be something very historical - something that sounds very sort of Regency... Sophia something.
I'm always concerned about marketing or commercial philosophies. I can't feel good about having my name on a bottle of perfume that comes from a factory making perfume with all the same ingredients as every other perfume. I can't feel good about a factory overseas polluting the air for something with my name on it. I'm okay with music - because it's digital or a CD. My music is my emotion in a bottle. But how is a perfume supposed to reflect me? How is a sweatshirt supposed to represent me?
I grew up in a suburb of Ohio, in a small town, and I resonated with that small-town feeling where everybody knows your business.
I really believe in the last name Hoffa being something powerful. You want to live your life to bring honor to that name.
From a very young age, militarism and trying to solve the world's problems through militarism is something that has always resonated with me as being a bad idea.
When I think about my career and how it all started, it really started with me getting to a point where I understood how to write songs that resonated with people.
This site uses cookies to ensure you get the best experience. More info...
Got it!