A Quote by Troy Carter

I'm from the streets, so I look at investing through a very unique lens. — © Troy Carter
I'm from the streets, so I look at investing through a very unique lens.
If you look at yourself and life through the lens of your ego, you'll feel isolated, ganged up on, alone, dfferent, and not part of the crowd. If you look through the lens of Spirit, knowing we're all one, you'll always feel safe, secure, ad loved.
Surrender is the path to freedom through our unique authenticity, where we experience the flow of life not through the narrow lens of the mind, but through the vast refuge of the heart.
You and I can profit by asking ourselves: What do I see when I look through the lens of my attitude toward myself? Am I more a critic than a friend? Do I look beyond the surface blemishes to find the truly beautiful and unique person that I am? Or do I play the destructive "comparison game"? What verdict does the juror of my mind pass on me: "good at heart" or "guilty on all counts"?
I think we're living, in terms of media, in a very democratic age, but I think that we still look at everything through the lens of 'Vogue' and through our own point of view.
Just watching the people on the streets of N.Y. is inspiring; there are so many styles and unique points of view. Fashion is very much inspired by the streets, has always been, and I'm sure it will continue to do so.
Real estate investing is unique in that it's almost as much a career or a way of life as it is a form of investing. Indeed, the fact that real estate is involves so much sweat equity makes it unique among other investments.
Just watching the people on the streets of NY is inspiring, there are so many styles and unique points of views. Fashion is very much inspired by the streets, has always been and I'm sure it will continue to do so.
We must look at the lens through we see the world, as well as the world we see, and that the lens itself shapes how we interpret the world.
You carry that through and adapt it to a camera lens, but you're quite right, you cannot be sure of what an audience is going to do. You don't know what's going to happen to the piece you're doing anyway. You don't know how it's going to be edited. There are a lot more unknowns in cinema. But that you have to readily accept. That's when, I think, you have to forget about intellect, to a degree. Intuition is very important when you're working with a lens, I believe, for what the lens is doing, too.
We do not see the lens through which we look.
Measuring the oil industry in dollars gives you a very warped view. Pick a sound currency such as Swiss francs or gold grams and look at the oil business through that lens.
I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.
What's in my mind is that I'm investing in people. It might be through a building or a program, but I'm investing in people. And the people that I'm investing in are underprivileged or hold a core value that I believe in.
We try not to look at everything through a competitive lens.
When a person looks through a colored lens, everything seems to be that color. If the lens is tinted yellow or blue, everything seems yellow or blue. A person who looks at life through the lens of gratitude will always find things to be grateful for.
Every time I look through the lens with Denzel, I'm like a 12-year-old kid. It's hard for me to look at the monitor because the fun is in watching him.
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