A Quote by Troy Carter
As we look at Hollywood and the controversy around the Oscars, it goes back to the voting block and the lack of people who come from that culture. For example, the NWA movie is a fantastic, fantastic movie. You need people who can look at a piece of art like that and understand the artistry in it.
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I don't think the audience goes and thinks of the movie as a piece of art - there are some independent people who may go and have a higher appreciation for filmmaking. It is a great art form, but I don't think you look at a painting and a movie with the same eye.
We can't just pay attention to women who look fantastic in a photograph, because there are a lot of people that have fantastic things to say that don't look like 25-year-old white models.
When I was seven or eight, I was bought a fantastic book called 'The Movie Treasury of Horror Movies' by Alan G. Frank; it became my bible. It's packed full of the most amazing photos and is still fantastic to look at.
It's a roll of the dice in the movie business. I mean, every single movie is a roll of the dice. Any movie on paper could look like it's going to be fantastic. You know what I mean?
For me when I watch 'The Shining,' it's like watching a home movie. I understand how it scares people. I think it's an entertaining movie, don't get me wrong. But I look back on it with so many memories.
Sivaji' was a fantastic movie. It is one movie I am going to take back to my grave and like a greedy actor, I want more such movies in my career.
I want a movie that 30 years from now, people can look back and see it as a reflection of where the culture was at - as a barometer of the culture.
There are people who expect me to look the way I do on-screen, where I have a great director of photography and fantastic lighting. I'm sorry to disappoint people, but I don't look like that all the time - no actress does.
People say I pay too much attention to the look of a movie but for God's sake, I'm not producing a Radio 4 Play for Today, I'm making a movie that people are going to look at.
In Hollywood, whenever you do anything, it seems like there's going to be 30 of them. When I did 'Look Who's Talking,' people went: 'Oh but there's going to be this baby movie and that baby movie.' I can't worry about that. I can only do what I want to do.
With these big Wagner pieces, if I haven't started three years before, I'm screwed. You need time to look at the piece again and again and again, and then, like some fantastic casserole or spaghetti sauce, put it back in the fridge and let the flavours get together.
I think 'Normal People' is a fantastic piece of art for conversations around consent. It shows that you don't have to do anything you don't want to do and looks at respecting the other person.
My grandmother and I followed my mother here, to a house a block north of Hollywood Boulevard but a million miles away from Hollywood, if you know what I mean. We would hang out behind the ropes and look at the movie stars arriving at the premieres.
The more people who see a film, the more life it has. But I don't like when people watch DVDs and look at two scenes, but they don't look at the whole movie. Or they sit and talk to each other. You should always watch a movie all the way through.
We have one planet in our solar system that's habitable, and that's the Earth, and space travel can transform things back here for the better. First of all, by just having people go to space and look back on this fragile planet we live on. People have come back transformed and have done fantastic things.
It was just a wonderful experience, one for the memory book for sure. The sad thing about it was that the picture came under this absurd cloud of controversy. Here was a movie based on the central theme that racism is something that is taught, and it's illustrated by this story of a dog and the efforts of humans to re-train it after it had been trained to go after black people. And it created this ridiculous controversy and wound up being the last Hollywood movie that Sam [Fuller] made.
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