A Quote by Troye Sivan
I feel like part of getting better at writing is knowing where to find that inspiration. Right after something happens to me, the first thing I'll do is go write when those feelings are really, really fresh.
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Right after something happens to me, the first thing I'll do is go write when those feelings are really, really fresh. I'll hum a tune into my phone sometimes.
For me, the hardest part is getting up and writing, that's the hard part. I always felt like I could teach someone to direct if I really had to. I feel like it's a skill that's passable, but writing... writing is the worst. That's what I'm doing right now, it's just the hardest thing that you'll ever do.
To me, every episode is like a song, and every season is like an album. There's that part of the day when you first get the idea and you say, "This could be really funny." And you sit down and you write it. There's just something that happens there that doesn't happen when you really give it a lot of time beforehand.
I don't really have a writing process. I don't write at all but, honestly, I feel like it's a modern-day writing because everything is technology and if I go in there and freestyle and I keep it, I feel like I wrote that. If I go in there and fix it, it's almost like something I wrote.
At the time, I was in L.A., just auditioning and hoping to land a part, dramatic or comedic. I started to feel really stagnant, waiting for a part. I was also taking classes at UCB and Groundlings, and at the higher levels, they focus on writing. It was such a relief to be able to write. During those programs, I wrote a one-woman show called Me, Myself, and Iran, and it ended up getting to Tina Fey. She recommended me to audition for SNL, so I got my first of two auditions through her.
For me, when I'm writing something really personal, I don't feel good about it. It's weird that people can connect to it and like something that came from a really crap place. You have to be quite brave to write about something that you honestly feel and think.
I feel like I've been picky through the years and would do one movie a year or one movie every two years, and I want to work a lot more. So if I can find something that just happens right away as a director, I'll do it if I really love it, but otherwise, I want to keep working as an actor and getting better.
The thing that gives me most pleasure is when I feel I've really engaged with my colleagues, other like-minded individuals, in getting something to work, and that I'm part of something.
After the Dance was my first attempt at nonfiction. I'd never really participated in carnival, and I really wanted to go. It sounded like a wonderfully fun thing to do. And I wanted to write something happy about Haiti, something celebratory. And going to carnival gave me a chance to do that, because it is one of the instances in Haiti when people shed their class separation and come together.
Music is my first love and the thing that I feel extremely connected to. I feel like I still have a long way to go within that in terms of being able to perform and write songs. But, yeah, I really hope 'The Possession' opens doors for me to do more acting, because I really enjoyed it.
I just figured that, for me to get the best out of myself and do the right thing by myself, I really just needed to step away and find out what I really wanted to do and hopefully getting back to where my people are from and getting out bush could really re-energise me and help heal those wounds.
I don't know why I write. The honest answer is that I don't have an answer. I wouldn't die if I couldn't write fiction. Actually keel over and die - it's unlikely. But quite quickly writing has come to feel like the only thing I really know how to do. And I go a bit stir crazy if I don't write more or less every day. But that makes writing sound like a mood-regulator, a way to regulate anxiety or depression, and it doesn't really come down to that.
Writing lyrics is part spontaneous, intuitive and part really thought through and carefully analyzed as you write it. It's a mixture of two approaches, and I imagine writing anything is like that, really. Some of it just flows, and you just go with it.
My father died many years ago, and yet when something special happens to me, I talk to him secretly not really knowing whether he hears, but it makes me feel better to half believe it.
I was a lot dumber when I was writing the novel. I felt like worse of a writer because I wrote many of the short stories in one sitting or over maybe three days, and they didn't change that much. There weren't many, many drafts. That made me feel semi-brilliant and part of a magical process. Writing the novel wasn't like that. I would come home every day from my office and say, "Well, I still really like the story, I just wish it was better written." At that point, I didn't realize I was writing a first draft. And the first draft was the hardest part.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
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