A Quote by Troye Sivan

It's really empowering when, as an artist, you can visualize something and then have the final product turn out the way you wanted it to. — © Troye Sivan
It's really empowering when, as an artist, you can visualize something and then have the final product turn out the way you wanted it to.
The Internet is empowering everybody. It's empowering Democrats. It's empowering dictators. It's empowering criminals. It's empowering people who are doing really wonderful and creative things.
The way of humanity is to turn everything into a marketable product. But when we turn something into a marketable product it loses something.
Inexperienced personal development teachers always tell you to visualize, but often in a tragically limited way. They tell you to visualize nothing but victory. But high-achievers know that it's even more important to visualize themselves at the point where they want to quit, and then see themselves working through the struggle.
For too many centuries women have been being muses to artists. I wanted to be the muse, I wanted to be the wife of the artist, but I was really trying to avoid the final issue — that I had to do the job myself.
I remember the few times that happened to me in writing, where you basically start writing and you look at the clock and six hours have gone by and you're, like, "Whoa! What the hell just happened?" And that piece ends up in the final product even though the final product is three years away. It doesn't get rewritten. It came out the right way. But that's happened to me so few times in my life.
I ain't never been in no college with famous people. I was a drifter for a while. I just was desperate to fit in with a group. Really, I was swimming. I was lost, treading water, trying to find my way. I wanted to play football. It didn't work out. I didn't really know what I wanted until I found acting in a theater department, and then everything just fell into place, and I had a passion about something. Then, I started living my life.
When I started out, I wanted to be the kind of artist who could play the CMA Music Festival and then turn around and play Bonnaroo, and I've managed to do both.
My dad really wanted to work in Tokyo and he made it happen. That's important in the way that I grew up. If my parents wanted to do something, then they would do it, and they always push me to try things, to not be afraid of changes and to go out in the world and not be bound by what we're supposed to do.
We'd dub the one that came off best into the final transcription. It gave us a chance to ad lib as much as we wanted, knowing that excess ad libbing could be sliced from the final product.
I really - as I said, I wanted to be President of the United States. It didn't turn out that way.
There is a tension between our desire to get our kids to turn out a particular way versus letting them develop to be their own person. If there were a pill that would make my child turn out the way I wanted, I'm not sure I'd take it.
I try to help my athletes visualize their full potential, and then get out of the way as they achieve it.
It was a great mantel to be able to take on really, an amazing legacy. And you know to finally see it, because I just saw the final product yesterday as well, is really amazing to be part of something like this.
It often is a terrible insult to some families if one of the kids turns out to be an artist and that's one way to really shake up the family if you haven't got nerve enough to turn into a homosexual.
To be in any way a positive contribution, that's all anybody wants to be. It's all I've ever wanted to be. I wanted to be an artist, be a mother. You want to feel that in your life you've been of use, in whatever way that comes out.
Because it's one thing when you - oh, I love this tune. But then when you go to sing it, it's got to have something really personal. Then down to 25, and then to pick the final ones I just picked the ones that were more personal, that had something to do with my life.
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