A Quote by Troye Sivan
I think that the beauty of 'Spud' is that everyone can connect to the character of Spud in so many ways. It's about real experiences that happen to kids all the time.
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I'm very thankful to players like John Stockton and Spud Webb. They've made it possible for someone like me to make it. I think teams are actually looking for one player under 6-feet now, because they make things happen.
Some people think I look like a sweet potato, I consider myself a spud with a heart of gold.
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
Rub a half potato on your wart
and wrap it in a damp cloth. Close
your eyes and whirl three times and throw.
Then bury rag and spud exactly where they fall.
We live in such an isolating time with technology and social media and I think that creates this feeling of having to connect, of having so many ways to connect but nothing's connecting.
I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in the playing of a character.
It was a great idea from my teammate Jamal Crawford. He kept telling me to jump over Spud, so we decided to call him and he was more than willing to participate with me. I just thank God for him.
That might work," I said. "I'm good at faking it." This led to a couple moments of uncomfortable silence from both of us. "You didn't mean... ?" Morelli asked. "No. Of course not." "Never?" "Maybe once." His eyes narrowed. "Once?" "It's all that comes to mind. It was the time we were late for your Uncle Spud's birthday party." "I remember that. That was great. You're telling me you faked it?" "We were late! I couldn't concentrate. It seemed like the best way to go.
The first of the Trainspotting crew to die. Out of the five of them like, Begbie, Renton, Spud, Sick Boy and [Margaret] Thatcher. Who'd have thunk she'd have been the first to go? She was the invisible author of the book, really. She created the conditions and the hubris whereby that whole culture flourished.
Huge events in life inform you in so many ways that you know about and many other ways that you cannot even comprehend. To go through a big experience can have such a profound impact on everything that you do. It's the common thing that everyone says about a tragedy - it is a really tough thing to happen but it is amazing, and a gift, if you can look at the positive aspects that come out and the friendships that are made from the people that provided help and support.
My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
Everyone experiences bullying at some point - there are always older kids who think it's cool to pick on the younger kids.
My children's favorite, and it's funny because they've seen it but they have a difficult time watching it because it's their dad and they make that connection, but Edward Scissorhands is by far my kids' favorite. They just connect with the character, and they see their dad feeling that isolation, that loneliness. He's a tragic character, so I think it's hard for them. They bawl.
It's really one of my all-time favorite things to do. To go out and really see the kids and visit the moms who are in these programs because I think I really get to see what happens on the ground and connect with them about what changes are that happen in their lives because of some of the giving that we're able to do.
I don't know if you've ever seen some of the Sidney Lumet movies, like Dog Day Afternoon [1975] or Network [1976]. They're real events that happen in real time, and there are all of these different characters experiencing the same thing in different parts of the movie ... I am so bad at explaining my films. But it's in the world of finance and the world of media, and how they connect. It was a big undertaking. A big, mainstream movie, which stars Julia Roberts and George Clooney. But for me, it's really just a small story about character and people.
Even though Lyndon Johnson's presidency was in many ways scarred forever by the war in Vietnam, and destroyed in a lot of ways, he - as a character - was even larger than his presidency. Being able to get to know him well, that firsthand relationship with this large character, I think is what drew me to writing books about presidents.
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